In this highly anticipated new issue, we encounter brilliant examples of what writing can do in a hypernormal time – whether that's Benjamin Gready on the absurdity of fieldwork on land under active occupation or Zahid Gamieldien's short story about a dancing rat who finds itself enmeshed in systems too shadowy to be true. But, as with the emotional cycles of resistance, hope and snark are features too. Dan Hogan considers the lawn as a class obsession, and π.ο. asks a question: why people hate poetry? We also read about a rakhasa family who passes on wisdom to their young kin, a story by Shefali Mathew. And you’ll find new poetry by Eli McLean, Fiona Hile and Sol Chan, among others, as well as a comic by Safdar Ahmed, plus heaps more. Co-editors Evelyn Araluen and Jonathan Dunk write in the editorial, "Writing always matters, but it matters most directly in the face of this kind of thuggish assault on language, our first and last commons. We can’t let the bastards have it.”
Ouyang Yu is an award-winning poet and novelist. His first novel, The Eastern Slope Chronicle, won the 2004 South Australian Festival Award for Innovation in Writing. His third novel, The English Class, won the 2011 NSW Premier’s Award, and his fourteenth collection of poetry, Terminally Poetic (2020), won the Judith Wright Calanthe Award in the 2021 Queensland Literary Awards. He was shortlisted for the Writer’s Prize in the 2021 Melbourne Prize for Literature and he won the Fellowship from Creative Australia in 2021. His ninth novel, The Sun at Eight or Nine, was published in March 2025.
