Overland’s 260th issue is our most substantial yet. At 212 pages, it contains writing from the winners and runners-up of the 2025 Judith Wright poetry and Neilma Sidney short story prizes, as well as last year’s Nakata Brophy Prize for Young Indigenous Writers. Across eight short stories, nine poems and five essays, this issue showcases the breadth of talent across generations: Hana Pera Aoake mounts a critique of the economies of First Nations artmaking, asking who exactly benefits when Maōri artists excel within an unregulated market predicated on individualism, while John Kinsella makes an extensive case for unoriginality as both poetic method and political resistance. Elsewhere, Tom Gurn, winner of the 2025 Neilma Sidney prize, imagines a surreal, fractured dialogue between two speakers orbiting loss and urban adaptation. Susie Anderson’s Nakata Brophy winning story follows a Blak elder navigating council rooms as she carries the stories of those who cared for her Country’s waterways. The issue also features new poetry by Ouyang Yu, Dorothy Lune and Dave Drayton, as well as an excerpt from Surveying the Wild Abyss, a new book by Hawkesbury elder and educator Barry Corr.
Ouyang Yu is an award-winning poet and novelist. His first novel, The Eastern Slope Chronicle, won the 2004 South Australian Festival Award for Innovation in Writing. His third novel, The English Class, won the 2011 NSW Premier’s Award, and his fourteenth collection of poetry, Terminally Poetic (2020), won the Judith Wright Calanthe Award in the 2021 Queensland Literary Awards. He was shortlisted for the Writer’s Prize in the 2021 Melbourne Prize for Literature and he won the Fellowship from Creative Australia in 2021. His ninth novel, The Sun at Eight or Nine, was published in March 2025.
