Published in Overland Issue 240 Spring 2020 · Uncategorized 9.36am Ouyang Yu There’s a lot of things I don’t care any more Calling me ‘Yu Ouyang’, for example Putting me under ‘Y’ in a bibliography, for another Accusing me of writing in a ‘sloppy’ way Mildly reminding of the word ‘slopey’ Wondering whether I’m in China or in Australia Asking whether identity remains an issue Not buying a single copy of anything new that I’ve managed to publish Do they know that I tore two books of mine to pieces And I’m so happy that I’m picking up the pieces And turning them into art and poetry Read the rest of Overland 240 If you enjoyed this piece, buy the issue Or subscribe and receive four brilliant issues for a year Ouyang Yu Ouyang Yu is an award-winning poet and novelist. His first novel, The Eastern Slope Chronicle, won the 2004 South Australian Festival Award for Innovation in Writing. His third novel, The English Class, won the 2011 NSW Premier’s Award, and his fourteenth collection of poetry, Terminally Poetic (2020), won the Judith Wright Calanthe Award in the 2021 Queensland Literary Awards. He was shortlisted for the Writer’s Prize in the 2021 Melbourne Prize for Literature and he won the Fellowship from Creative Australia in 2021. His ninth novel, The Sun at Eight or Nine, was published in March 2025. More by Ouyang Yu › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 8 May 202611 May 2026 · Nakata Brophy Prize The 2026 Nakata Brophy Prize for Young Indigenous Writers (Poetry) Editorial Team Please follow this link to enter the prize. Sponsored by Trinity College at the University of Melbourne and supporters, the Nakata Brophy Prize for Young Indigenous Writers, established in 2014 […] 7 May 20267 May 2026 · Gaming Weaponised play: are loot boxes pokies for kids? Tom Gurn In the last decade, chance mechanics have been increasingly exploited by the video game industry to attract players, including very young ones. And while the federal government is clearly aware of the risks, it really isn’t clear what the right step forward is.
