What strikes you as you wander through the galleries is not only the overtly political messaging of many of the works on display, but also the way that textile and fabric art makes visible the slow, quietly defiant labour of its creation, and gives form to the idea of solidarity across individuals and groups as a kind of weaving together.

In the internet age we have the means to make Vivan Maier's photographs and materials available to everyone, preserved and displayed, away from the necromantic urges of capital accumulation at the expense of a dead artist.