The outrage on Hosier Lane and who has the right to the city Type Article Category ArtThe city By Erin Buckley 13.Feb.20 3 Comments
Did you know that Blade Runner was set in November 2019? Type Article Category Aboriginal AustraliaArt By Half Life Collective 12.Dec.19 0 Comments
You can’t have Carnival without Lent: Cameron Hayes’ tableau of globalisation Type Article Category ArtGlobalisation By Thomas Jessen Adams 26.Nov.19 2 Comments
First peoples, move to the front: Richard Bell’s Biennale Type Article Category Aboriginal AustraliaArt By Caroline Gardam 19.Aug.19 2 Comments
Syphilis-envy, the burden of creativity and Hannah Gadsby’s Nanette Type Article Category ArtMental health By Ellen Muller 28.May.19 1 Comment
My art doesn’t exist to educate white people: the meaning and purpose of Where are you from? Type Polemic Category ArtRace By Shelley Cheng 18.Apr.19 2 Comments
Reflections on the psychotic archive Type Reflection Category ArtIllness By Michael Alexandratos 5.Feb.19 2 Comments
Hope, fear and Flight: telling stories that matter Type Review Category ArtRefugees By SM Monteith 19.Oct.18 0 Comments
The art of money: Melbourne Art Fair Type Review Category ArtCapitalism By Jaxon Waterhouse 11.Oct.18 0 Comments
An unguided tour through the communism of feeling: MoMA @ NGV Type Review Category aestheticsArt By Scott Robinson 5.Sep.18 0 Comments
Exhibiting solidarity: on art and workers rights Type Review Category ArtLabour By Ella Shi 20.Aug.18 0 Comments
Best friends going through a tunnel: the art of Thom and Angelmouse Type Reflection Category ArtDisability By Chloe Watfern 18.Jul.18 0 Comments
‘Curious affection’ or ‘monstrous affliction’? Revisiting Patricia Piccinini Type Review Category Art By SM Monteith 26.Jun.18 0 Comments
Richard Mosse, Agamben, and the political theologies of the refugee crisis Type Article Category ArtRefugees By Alexander Thom 27.Feb.18 0 Comments
‘Do we not laugh?’ On the continuing obsession with Merchant of Venice Type Polemic Category ArtRacism By Gabriella Edelstein 18.Dec.17 0 Comments
Art and female agency in ‘The Lady of Shalott’ Type Article Category ArtFeminism By Katelin Farnsworth 14.Nov.17 2 Comments
Seeing through perspective: a blind tourist’s guide to art Type Polemic Category accessibilityArt By Ria Andriani 28.Sep.17 0 Comments
'I want to keep these sufferings': art and mental illness Type Article Category ArtMental health By Neha Mulay 5.Sep.17 2 Comments
Blak Critics: flipping the power play in the arts Type Polemic Category ArtCriticism By Timmah Ball 10.May.17 0 Comments
The hypocrisy of meat eaters: on MONA and animal cruelty Type Review Category ArtcensorshipViolence By Ben Brooker 26.Apr.17 1 Comment
If these walls could break: Mike Parr's On Manus Island Type Review Category ArtRefugees By Fiona McGregor 13.Dec.16 0 Comments
Embedded misogyny: the academic erasure of women Type Polemic Category ArtSexismWriting By Natalie Kon-yu and Enza Gandolfo 12.Dec.16 24 Comments
Authenticity & the market: the existential threat of art fraud Type Article Category ArtCulture By Julian Murphy 16.Nov.16 0 Comments
The artlessness of politics Type Polemic Category ArtCapitalism in decline By Dan Dixon 13.Oct.16 2 Comments
Does exposing state violence end it? Type Article Category ArtRefugee rightsViolence By Maria Giannacopoulos 29.Sep.16 1 Comment
Under capitalism, even atheist artists have saints Type Reflection Category ActivismArt By Ryan Mallett-Outtrim 21.Sep.16 1 Comment
For the love of birds Type Reflection Category ArtThe environment By Jody McDonald 2.Sep.16 1 Comment
You can have submarines instead Type Polemic Category ArtEconomics By Ben Brooker 13.May.16 3 Comments
Wall to Wall: putting regional street art on the map Type Article Category Art By Erin Wilson 6.May.16 2 Comments
Ghost of the future past: on the work of Ryan Trecartin Type Review Category Art By Katie Dobbs 27.Apr.16 0 Comments
Are Australian universities creating good artists? Type Essay Category Artarts funding By Lauren Carroll Harris 221 Summer 2015
