Published in Overland Issue 243 Winter 2021 · Poetry what’s hobbling the beat (a soliloquy in three rhythms) Brian Obiri-Asare didn’t my mum and dad slave away through gritted teeth on hands and knees in the corner of some cooked plantation so their son could clean offices for $10 an hour — yo sit back — until their hands became a cocoa field of blisters so why you be surprised brother when we can’t take the weight when we can’t dance from within when our brain be playing in a key that skips the feeling and the beat — yo tuck in your lip so I can get at this beard proper — anyway so they put a spell on Vince and now he don’t talk much hasn’t said a word in months holed up in a secret eden off limits to the world because he stopped talking after the drum machine inside his chest was over it his black heart started to wilt in a rhythmless cage his black heart was humble enough to step away and say enough is enough and I’m not saying Vince done right to go build a box of silence so he don’t have to talk about it find words for it name it admit where it hurts — straighten up a little — but why be surprised by the wake of slavery busting our arse for $10 an hour on hands and knees — yo tilt your head away from the light — busting our arse inside the shipwreck of our arrival here to breaking point so that every time brother Vince come got his hair cut the spell was written all down his face enough to make a brother crazy enough to lose my head but I can’t give no one no reason to ship my arse back to Africa. I last seen brother Vince play that piano out the back of Kelisha’s — hold still — playing the blues out in the open with the swing of song spiralling with humour and gloom the restless meaningless daily grind turned to laughter in the stilted jazz of his hands never heard so much tenderness for a moment there we forgot what blisters were we forgot for a moment we were strangers in this promised land Read the rest of Overland 243 If you enjoyed this piece, buy the issue Or subscribe and receive four brilliant issues for a year Brian Obiri-Asare Brian Obiri-Asare is a writer of Ghanaian heritage. Born and raised in Sydney, for the most part he lives and works in central Australia, on Arrernte country. His work swims in the territory of blackness and the larger racial order that structures our literature and our lives. More by Brian Obiri-Asare › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 8 November 20248 November 2024 · Poetry Announcing the final results of the 2024 Nakata Brophy Prize for Young Indigenous Writers Editorial Team After careful consideration, judges Karen Wyld and Eugenia Flynn have selected first place and two runners-up to form the final results of this year’s Nakata Brophy Prize! 6 November 20246 November 2024 · Poetry TV Times Kate Lilley I try out for Can Can after school / knowing I’m not cut out for the high kicks / Ballads chansons show tunes ok / I can belt out Judy Garland and all the songs from Oliver / “Who Will Buy”/”As Long as He Needs Me” / Wher-e-e-e-ere is love