Published in Overland Issue 240 Spring 2020 · Uncategorized 9.36am Ouyang Yu There’s a lot of things I don’t care any more Calling me ‘Yu Ouyang’, for example Putting me under ‘Y’ in a bibliography, for another Accusing me of writing in a ‘sloppy’ way Mildly reminding of the word ‘slopey’ Wondering whether I’m in China or in Australia Asking whether identity remains an issue Not buying a single copy of anything new that I’ve managed to publish Do they know that I tore two books of mine to pieces And I’m so happy that I’m picking up the pieces And turning them into art and poetry Read the rest of Overland 240 If you enjoyed this piece, buy the issue Or subscribe and receive four brilliant issues for a year Ouyang Yu Ouyang Yu is a poet based in Melbourne and since his first arrival in April 1991 in Australia, he has published quite a few poems. His eighth novel, All the Rivers Run South, is forthcoming with Puncher & Wattmann in 2023. More by Ouyang Yu › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 18 December 202418 December 2024 · Nakata Brophy Prize Dawning in the rivulet of my father’s mourning Yasmin Smith My father floats words down Toonooba each morning. They arrive to me by noon. / Nothing diminishes in his unfolding, not even the currents in midwinter June. / He narrates the sky prehistorically like a cadence cutting him into deluge. 16 December 202416 December 2024 · Palestine Learning to see in the dark Alison Martin Images can represent a splice of reality from the other side of the world, mirror truths about ourselves and our collective humanity we can hardly bear to face. But we can also use them to recognise the patterns of dehumanisation that have manifested throughout history, and prevent their awful conclusions in the present. To rewrite in real time our most shameful histories before they are re-made on the world stage and in our social media feeds.