In this highly anticipated new issue, we encounter brilliant examples of what writing can do in a hypernormal time – whether that's Benjamin Gready on the absurdity of fieldwork on land under active occupation or Zahid Gamieldien's short story about a dancing rat who finds itself enmeshed in systems too shadowy to be true. But, as with the emotional cycles of resistance, hope and snark are features too. Dan Hogan considers the lawn as a class obsession, and π.ο. asks a question: why people hate poetry? We also read about a rakhasa family who passes on wisdom to their young kin, a story by Shefali Mathew. And you’ll find new poetry by Eli McLean, Fiona Hile and Sol Chan, among others, as well as a comic by Safdar Ahmed, plus heaps more. Co-editors Evelyn Araluen and Jonathan Dunk write in the editorial, "Writing always matters, but it matters most directly in the face of this kind of thuggish assault on language, our first and last commons. We can’t let the bastards have it.”
Chris Rodley is a writer for new media and a PhD candidate in Digital Cultures at the University of Sydney. His research is examining the impact of big data on poetics, with a focus on how the ability to find and remix digital information in real time is transforming relationships between texts, writers and readers. He is co-author of a book chapter in The Future of Writing (2014), with Andrew Burrell, and has also written for Guardian Australia and BuzzFeed.
