Overland 254 is the first in a set of four special editions dedicated to commemorating 70 years of Overland. This issue also launches a new design and format by Common Room Editions, inspired by Overland’s trove of radical literature spanning from 1954 to today. Andrew Brooks and Astrid Lorange consider the asymmetrical responses to two events: the wearing of keffiyehs by three cast members during the Sydney Theatre Company’s production of Anton Chekov’s The Seagull, and, on the same day in the US, the shooting of three Palestinian men wearing keffiyehs. Jeff Sparrow uncovers the Sydney Herald’s legacy of Terra Nullius, and Daniel Lopez writes on Marx, Meredith and the festival as an inversion of modern life.
Andrew Burrell is a new media artist with a long history in real time 3D and interactive audio installation. His work explores notions of self and narrative and the implications of networked environments upon identity. His projects for virtual environments have received international recognition; more recently, he has embarked on a series of collaborative e-literature installations with Chris Rodley. He holds a PhD from the University of Sydney.
