Published 16 February 202419 February 2024 · Poetry Two poems from 36 Ways of Writing a Vietnamese Poem Nam Le [7. Violence: Paedo-affective] (slam declension) But think about the children, super cute children, mute children, with uncommonly big eyes, children with hard eyes, eyes that have seen what no child’s eyes should see, children naked as the day wearing big smiles and no smiles, preternaturally wise, with mooned-out tummies and cleft palates and cataracts, deformities and birth defects, children in an instant blown up, grown up, orphaned, homeless, hard up, hopped up, ganged up, pimping on bright Continental terraces and in dark dingy rooms their bang bang sisters, who are children too, all children, of GI boom boom, of R & R, rock & ruin, rape & run and have you ever fucked a green man, girl, you’ll fly so high you’ll see stars going boom boom, boom, boom. Or some of them, somehow, break free, you’ll see them in red crescented refugee camps, with bowl cuts and fly-swarmed eyes, eyes that have seen what no etc.; some somehow accepted into Western, Educated, Industrialised, Rich, Democratic (WEIRD) countries where, before long, they’re given new, WEIRD names, and there picked on, picked last, left out, looked through, looked at, looked at too long, called slant or chink or nip or ching chong (eyes stretched to flat-line squint) or told they stink, their house too, their food — what’s that even in it? (hide your dogs, quick!) — whatever, ha ha, you don’t belong, go back to where you came from. Or exoticised, the girls, Hello-Kitty’d, yellow-faced, extolled for almond eyes and white-adjacent skin, genetically slim, with waists two hands could circumscribe as though designed for certain discernments … Hypersexualised — and they are children. (And the boys — the men — also in their yellow bodies — brawnless, gormless, beardless or Fu Manchu’d, good at maths, computer games, maybe even kung fu, which, though, come on, in a real fight … — in turn desexualised.) Never fully anything. Essentialised into nothing, ever-orphaned from mother country and tongue, generations of family and flailing net-ropes of filial piety — three degrees of piety, five failings — where what we risk our lives and bring you here to study, what is it, Communications? Where you think you so good you can come here and say ‘thank you’ to your parents? For cleaner guilt and adulteration, of course, chase the dragon, shoot the horse. WEIRD, this place, which, these children know, is no place, not their place, which has them represent — but who? and what? what for? — for if not white nor are they of colour, not fully, more (or less) off colour, off white, their concerns — like all things made in Asia — inferior, knocked-off, mass-manufactured, low-rent. Think of the children, trying, playing their part, which is no part, or a rote, token part, a strenuous decor, to be praised, paid, patronised, their names mispronounced as though being done a favour, and they are, and thank you, really, for even trying, while being impressed upon re Vietnam on our recent trip with its beautiful people with their palm hats and their resilience and, I hope it’s okay to say, their unbelievable capacity for forgiveness and what if not this is assimilation (though not acceptance — no amount of East–West fusion achieves that) — having it, all of it, be okay, I suppose, accepting it all, forgiving all, taking heed and being sensitive to all, being unbelievably composed, above all, composed. [8. Violence: Geopolitical / Historical / State Conflictual / Territorial / Socio-political / Ideological / Sexual / Physical / Carceral / Chemical / Communal / Tribal / Psychological / Judicial / Cultural / Structural / Spiritual / Dictatorial / Oligarchical / Genocidal / Collateral / Domino Theoretical / Dialectical Materialist / Social Darwinist / State Terrorist / Eugenist / Imperialist / Colonialist / de Mission Civilisatrice / Ethnonationalist / Settler Nativist / Scholastic / Scientific / Educative / Bureaucratic / Economic / Hegemonic] [Uncomposed]Image: Flickr Nam Le Nam Le is the author of The Boat, On David Malouf, and 36 Ways of Writing a Vietnamese Poem. His work, which appears in modern classics series, has received major awards in Australia, America and Europe, and is widely translated and taught. His poetry has been published in Paris Review, Poetry, Granta and elsewhere. More by Nam Le › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 8 November 20248 November 2024 · Poetry Announcing the final results of the 2024 Nakata Brophy Prize for Young Indigenous Writers Editorial Team After careful consideration, judges Karen Wyld and Eugenia Flynn have selected first place and two runners-up to form the final results of this year’s Nakata Brophy Prize! 6 November 20246 November 2024 · Poetry TV Times Kate Lilley I try out for Can Can after school / knowing I’m not cut out for the high kicks / Ballads chansons show tunes ok / I can belt out Judy Garland and all the songs from Oliver / “Who Will Buy”/”As Long as He Needs Me” / Wher-e-e-e-ere is love