In 2020, Overland literary journal received funding from Create Victoria to help sustain our organisation and encourage excellence in a struggling arts community. In honour of the late Aunty Kerry Reed-Gilbert, Overland designated a portion of these funds for a new prize rewarding excellence and generosity in Australian writing, irrespective of form and genre.
The Kuracca Prize for Australian Literature is open to all Australian writers for fiction, poetry, essay, memoir, creative non-fiction, cartoon or graphic stories, and digital or audio storytelling. This year, our first place winner will be awarded $5,000, while two runner prizes of $1,000 will also be awarded. Where possible all three winners will be published where possible in the winter issue of Overland. There are no separate prizes for individual categories.
Thank you to everyone who entered the prize. We received almost five hundred submissions across all categories, and our judges Jeanine Leane, Justin Clemens and Elena Gomez were incredibly impressed by the quality of submissions. Congratulations to our fantastic longlisted writers:
‘Tending joy at the end of the world’
‘Tending Joy at the End of the World’ is a lyrical essay that explores the connection between poetry and joy, and the need for both in times of crisis.
Anthea Yang is a writer and poet whose work has appeared in Baby Teeth Journal, Djed Press, Going Down Swinging and Voiceworks, among others. Her poetry was shortlisted for the Dorothy Porter Award for Poetry in 2020. She is the managing editor of Mascara Literary Review.
‘A map of passings’
A Map of Passings: So that’s where the street art comes from – a co-temporal narrative of the politically unimportant and entangled forgotten.
The Gargoyle: Coming of Age in the Anthropocene.
Zana Fraillon is the author of eleven books, including the multi-award winning novel The Bone Sparrow. Her latest book, The Lost Soul Atlas has been shortlisted for the CBCA Book of the Year and the Aurealis Award. Zana is a PhD candidate in Creative Writing at La Trobe University.
‘Collecting brown matter in lockdown as the climate warms’
In this poem, at the centre of the turning where sameness and difference, past and future, idyll and ruin meet, love still offers its chance.
Anders Villani holds an MFA from the University of Michigan’s Helen Zell Writers’ Program, where he received the Delbanco Prize for poetry. His first collection, Aril Wire, was released in 2018 by Five Islands Press. A PhD candidate at Monash University and assistant poetry editor of Australian Book Review, he lives in Melbourne.
A story about a peacock, catty neighbours, and no apologies.
Andy Kovacic is a young writer from the Central Coast, Australia. She is completing her final year in bachelors of Law and Creative Writing at the University of Technology Sydney. Apart from her studies, she is an art and music writer.
‘The grief tourist’
‘The Grief Tourist’ is my attempt to express the collective national guilt, grief and trauma felt following the 2019/20 bushfires. It is both a love and apology letter to our beautiful and desperate Country.
Yeena is a queer Wiradjuri writer who grew up in Central West New South Wales, she now lives and works on Wangal, Darug and Gadigal lands. Her work has been published in several literary journals.
‘The Fence’ explores the geography of gender and kinship and the physics of inhabiting the world in a female body.
Verity Oswin is a poet and documentary producer who grew up and currently lives on a property near Moulamein in the Riverina. She is studying her PhD at the University of Adelaide and is the mother of twins.
‘Centocartography: Campsie’ is a product of walking that experiments with new ways of reading and writing maps.
Dave Drayton was an amateur banjo player, founding member of the Atterton Academy, and the author of E, UIO, A: a feghoot (Container), A pet per ably-faced kid (Stale Objects dePress), P(oe)Ms (Rabbit), Haiturograms (Stale Objects dePress) and Poetic Pentagons (Spacecraft Press).
‘Me, the (failed) revolutionary’
LI-sten to DJAB WurRUNG! As a protestor fears standing and chanting with her comrades, ‘Me, the (failed) revolutionary’ grapples with the fractures of gender, immigration, colonisation and class – while the police watch from the steps of parliament house.
Nandini is a writer and poet working on Wurundjeri and Boon Wurrung country. She is interested in writing as political thinking, unwinding the dense political and philosophical networks entangled in daily life.
A story about frogs, plovers, lost marbles, and learning to listen to country.
Melanie Saward is a proud descendant of the Bigambul and Wakka Wakka peoples. She’s published in Flock, Overland, New Australian Fiction, and Kill Your Darlings and she’s been shortlisted for the David Unaipon Award (2018, 2020), the Boundless Indigenous Writer’s Mentorship (2021, 2020), and the Harlequin First Nations Fellowship (2020).
‘Freedom (memoirs of an urchin’
‘Freedom (memoirs of an urchin’ is a brief collection of some diary entries I had acquired over a very manic/depressive year.
I have decided I don’t want to do it in any way particular, whatever that is. Life is brilliant and strange and awful and I have tried many things and I still am unsure where I am going. I am 22, likes to eavesdrop on people’s conversations, not certain about anything.
‘Lest we forget’
‘Great grandmother Arrabrilya’
Lest we forget: Here we have a single-perspective historical narrative, with layered meaning – how could we ever forget?
Great Grandmother Arrabrilya: I don’t often write in this style; an unusual example of my secret wish for whimsical pre-invasion idylls.
Adam Brannigan is a registered nurse, and unpublished author, currently living on the Sunshine Coast. He is undertaking a degree in Creative Writing and Publishing, part-time, and favours post-modern flash fiction and short story forms. Dystopia, surrealism and themes of cultural displacement inform his fables.
‘Wintercearig’ is a poem that defies description, yet something is perhaps de-scribed when I observe that this poem grew out of an ‘Underworld’ topography, drawn from a living rural location caught up in the same lockdown measures that applied to the inner and greater metropolitan Melbourne experience during the year 2020.
Shari Kocher is the author of The Non-Sequitur of Snow (Puncher & Wattmann 2015) and Foxstruck and Other Collisions (Puncher & Wattmann, 2021). Sonqoqui: a Threnody is currently in translation under the auspices of the The Peter Steele Poetry Prize (2020). She holds MA and Doctorate degrees from Melbourne University. www.sharikocher.com
Congratulations to our wonderful longlisted authors! The shortlist and final winners will be announced on Overland soon.