Published 8 July 201425 July 2014 · News / Writing Pinging all electronic poets Editorial team Overland is again seeking digital-born poetry, electronic poetry, poetry in programmable media and codeworks: a poetry that isn’t merely published online but one that is informed, shaped or built by the culture and technology of the programmable machine and the network. Overland’s sixtieth year coincides with other 60-year anniversaries, too: the untimely death of Alan Turing, the first Godzilla released in Japan, and the year Overland’s home suburb football team Footscray won an AFL Grand Final. Over that time, Overland has been Australia’s space to discuss and debate radical culture and politics. So this year, while all pieces will be considered and encouraged, those works that explore or critique radical culture and politics are especially sought. For an idea of what electronic poetry is, or can be, read last year’s issue or a wide range of work is available on the Electronic Literature Collections v1 and v2. Submissions close 30 September 2014 (for publication in October). The selection will be curated by Benjamin Laird, Overland’s website producer. Overland subscribers should submit their work in the form of a link. Work by non-subscribers will also be considered. Editorial team More by Editorial team › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 11 December 202411 December 2024 · Writing The trouble Ken Bolton’s poems make for me, specifically, at the moment Linda Marie Walker These poems doom me to my chair and table and computer. I knew it was all downhill from here, at this age, but it’s been confirmed. My mind remains town-size, hemmed in by pine plantations and kanite walls and flat swampy land and hills called “mountains”. 17 July 202417 July 2024 · Writing “What is it that remains of us now”: witnessing the war on Palestine with Suheir Hammad Dashiell Moore The flame of her poetry scorches the states of exceptions that allow individual and state-sponsored violence to continue, unjustified, and unhistoricised. As we engage with her work, we are reminded that "chronic survival" is not merely an act of enduring but a profound declaration of existence.