Published 8 September 20098 September 2009 · Main Posts ekphrastic remix Overland Overloaded To add to Overload’s collection of poets who dance, sing, chant and rant, the Overland Overloaded team is also talking with poets who blog. Stu Hatton is one such poet. The Melbournite will remix the work of fellow poets for the last of Overload’s ekphrastic readings, Tripping the Light Ekphrastic, at Glitch Bar and Cinema tonight. The Overland Overloaded team recently caught up with Hatton: Why do you poetry blog? Originally I set up the blog as a repository for my writing – it was all about the poems, really. Now it’s also about featuring the work (poems, quotes, images, videopoetry, etc) of others who inspire or influence me in some way. I think what keeps me going is the community aspect of blogging – fostering friendships with other writers by reading and commenting on each other’s blogs. Why not print? Do you do print? I’ve never published a book or chapbook, although I intend to publish a collection of poems within the next 12 months. Probably self-published / print-on-demand. I still prefer to read print than reading things online. What if someone steals your shit online? Good luck to them! No, in all seriousness, I’m into poetic remixing, so if someone wants to remix/rework any of my poems I’m cool with that (although I’d expect some form of attribution). In fact I encourage it through something I’ve called the ‘remix exchange’ Are you being honest about all this? Of course! You teach poetry as well, don’t you? I’ve taught creative writing at Deakin Uni for the last few years, but the focus is on fiction and non-fiction. I’ve hosted the odd poetry workshop here and there, though. Are you honest with your students? Yep. Really? I’m diplomatic, but yes. So you’d tell them if their poetry sucked? Haha. I think the aim’s to enable them to be critical, about their own writing and writing in general. What are you doing at Overload? I’m involved in a gig called ‘Tripping the Light Ekphrastic’ at Glitch Bar on Tuesday the 8th of September. Ekphrastic as in different artforms responding to one another, although for this gig we’ve broadened the theme to include other forms of response. In my case I’ll be performing poems by Dana Guthrie Martin and Nathan Moore and my remixes thereof. Why? Because I loved collaborating with Dana and Nathan, and wanted to get that work out there. I think it deserves an audience. No seriously, Why? Well, I wouldn’t have been involved unless Fee Sievers had asked me to be part of the gig. She’s always supported and encouraged me – I have a lot to thank her for. In fact, poetry, why? Haha, here we go again! On a personal level, because I love language, its possibilities and complexities. Poetry is about taking language to its limits – conceptually, sonically, emotionally – and tapping into its image-casting potential. What’s the best thing about poetry blogging? The community aspect, by which I mean the discussions and debates that take place in comment streams, and the friendships that arise from there. The fact is, I don’t know (m)any poets in Melbourne who are trying to do similar things to what I’m trying to do in my work, or who share similar influences. But there are quite a few of these folk out in the blogosphere. How will poetry blogging change the world? It could be argued that, for the first time in history, we have a truly global poetry community. I believe it’s the poet’s responsibility to give voice to things that might otherwise be ignored, unnoticed, suppressed. Poetry can be a form of enquiry, the poet a kind of investigator, an uncoverer. This can (and should) extend to social, political and environmental issues. So long as the poetry blogging community can rise above petty squabbles and cliquishness, there’s the potential to make poetry matter, to make it vital on a global level, perhaps in unprecedented ways. Break it down: café date coffee kicks your date talks your arm off you yet another imitation audience such expertise in appearing unconfused even when your attention swings to the drizzle of adjectives out on the street & how do you like these café clientele glazed cakes & tarts under glass sincere, unimpressed looks that say, “I hope you are not the future” don’t they realise the number of errors can only inflate? you drop a twenty on the table, slip out alone Stu Hatton spends most of his waking hours messing with text. He’s a poet, freelance writer and editor, and teaches writing and editing at Deakin Uni. Overland Overloaded More by Overland Overloaded › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays First published in Overland Issue 228 8 September 202312 September 2023 · Main Posts Announcing the 2023 Judith Wright Poetry Prize ($9000) Editorial Team Established in 2007 and supported by the Malcolm Robertson Foundation, the Overland Judith Wright Poetry Prize for New and Emerging Poets seeks poetry by writers who have published no more than one collection of poems under their own name (that is writers who’ve had zero collections published, or one solo collection published). It remains one of the richest prizes for emerging poets, and is open to poets anywhere in the world. In 2023, the major prize is $6000, with a second prize of $2000 and a third prize of $1000. 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