Published 29 August 200931 August 2009 · Main Posts bodacious poetry section, man! Overland Overloaded In the next few days, leading up to coverage of the 2009 Overload Poetry Festival, the Overland Overloaded team will be ‘chatting’ with poets, organisers and other contributors to the festival. We thought we’d start with speaking to Overland editor Jeff Sparrow about how it feels to have the Overland blog hijacked for two weeks. Note that at the start of the interrogation Sparrow seems calm, almost apathetic, about relinquishing control over the Overland blog. He then moves through a brief period of fear before he manages to focus back on the questions at hand. Let the poetry begin. Seriously, why would you give the Overland blog over to a bunch of poets for two weeks? It means I don’t have to come up with any content Are you insane? Career as a left-wing writer? You be the judge What’s the worst thing you think could come of all this? Poetry You clearly haven’t thought this through very well, have you? Hey, it was your idea Panicking much? Am now What’s the most fantastic thing you think could come of all this? More poets recognising the age-old truism: if you want a flourishing poetic culture in Australia, you need to support it’s institutions. Overland is a not-for-profit journal that depends upon subscriptions. If a fraction of the people who wanted Overland to publish their poems actually subscribed to the journal, it wouldn’t be in perpetual financial crisis How likely do you think that is to happen? In all seriousness yeah, I think some of them will. Overland subscriptions are now at a fifteen year high, precisely because, as the state of literary culture becomes increasingly dire, more people recognise the importance of supporting community-based literary institutions Ever written a poem? There was a young man from Nuntucket… You serious? I know it off by heart, so I must have written it Plug the Overland poetry section At the moment it’s guest edited by Tim Wright who won the most recent Overland Judith Wright Poetry Prize for New and Emerging Poets. The poetry section is usually diverse and eclectic, though there’s an underlying commitment to Overland’s core project – the examination of the culture of politics and the politics of culture Honestly? Yep Really? Really, truly What would Murray-Smith (the founder of Overland) say about the Overland poetry section today? “Dude, you guys rock!” Are you avoiding the question? Nup What would he really say? “Bodacious poetry section, man!” Any chance of an all poetry edition of Overland in the near future? Only if it became clear that there was sufficient support from poets. At the moment, the discrepency between poetry submissions and subscriptions from poets means that it’s simply not viable. You wouldn’t give false hope to your poet contributors, would you? Nah. Am telling it like it is Why should we believe you? Because I’m honest as the day Are you going to any events at the Overload Poetry Festival? Most likely. I have to survive the Melbourne Writers’ Festival first Are you trying to avoid that question too? Yes Poetry. Why? Woodie Guthrie once said that, where three communists meet, the fourth one ought to be a guitar player. Well, it would be nice if the fifth one was working on some poems What’s the first thing you’ll do when you get your blog back? Most probably, I’ll go back to overcoming a shortage of inspiration for blog posts by putting up cheesy You Tube videos Overland Overloaded More by Overland Overloaded Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays First published in Overland Issue 228 25 May 202326 May 2023 · Main Posts The ‘Chinese question’ and colonial capitalism in New Gold Mountain Christy Tan SBS’s New Gold Mountain sets out to recover the history of the Gold Rush from the marginalised perspective of Chinese settlers but instead reinforces the erasure of Indigenous sovereignty. Although celebrated for its multilingual script and diverse representation, the mini-TV series ignores how the settlement of Chinese migrants and their recruitment into colonial capitalism consolidates the ongoing displacement of First Nations peoples. First published in Overland Issue 228 15 February 202322 February 2023 · Main Posts Self-translation and bilingual writing as a transnational writer in the age of machine translation Ouyang Yu To cut a long story short, it all boils down to the need to go as far away from oneself as possible before one realizes another need to come back to reclaim what has been lost in the process while tying the knot of the opposite ends and merging them into a new transformation.