Overland 254 is the first in a set of four special editions dedicated to commemorating 70 years of Overland. This issue also launches a new design and format by Common Room Editions, inspired by Overland’s trove of radical literature spanning from 1954 to today. Andrew Brooks and Astrid Lorange consider the asymmetrical responses to two events: the wearing of keffiyehs by three cast members during the Sydney Theatre Company’s production of Anton Chekov’s The Seagull, and, on the same day in the US, the shooting of three Palestinian men wearing keffiyehs. Jeff Sparrow uncovers the Sydney Herald’s legacy of Terra Nullius, and Daniel Lopez writes on Marx, Meredith and the festival as an inversion of modern life.
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Overland publishes an online magazine of literary, political and cultural analysis and polemic. Unsolicited contributions are welcomed. While the magazine is eclectic, the online format generally favours short, punchy and topical articles. The rate for online articles is $150. Our online editors are Giovanni Tiso, Evelyn Araluen and Jonathan Dunk.
While we have tremendous respect for the form, we don’t publish personal essays or creative non-fiction in the online magazine, unless they are very consistently linked to political concerns.
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Current Overland subscriber? Click here to submit your online piece. Not yet an Overland subscriber? Click here to submit your online piece. (Remember, you can support Overland by becoming a subscriber.)
Current Overland subscriber? Click here to submit your online piece.
Not yet an Overland subscriber? Click here to submit your online piece. (Remember, you can support Overland by becoming a subscriber.)
The print edition of Overland publishes essays, polemics and other hard-hitting articles with a strong cultural or political analysis. As a quarterly, it cannot carry news articles or other content that will date quickly. Because space in the print edition is necessarily limited, material submitted in this category must justify its inclusion on the basis of originality, style, theoretical profundity or similar basis – it must, in short, stand the test of time. Academic articles may be refereed, but Overland is a generalist publication and discourages specialist or narrowly scholastic submissions. The standard payment for nonfiction print essays is $500. Our print edition editors are Evelyn Araluen and Jonathan Dunk.
Current Overland subscriber? Click here to submit your piece. Not yet an Overland subscriber? Click here to submit your piece. (Remember, you can support Overland by becoming a subscriber.)
Current Overland subscriber? Click here to submit your piece.
Not yet an Overland subscriber? Click here to submit your piece. (Remember, you can support Overland by becoming a subscriber.)
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