Published in Overland Issue 129 — 1992 · Uncategorized Three Hours Later Peter Rose It’s three hours since we parted.Sitting by an open window,too lazy to do any work,I listen to all the usual morning noises(the drone of a lawn mowerin some far, leafed suburb,a fond young couple downstairsfolding sheets, tabulating furniture,an old termagant in the flat opposite, snuffling round her son’s bedroomin search of – truffles? – confessions? –matricide manuals under his mattress?),listen to every tale this doomed tenementhas to tell, a symphony of cisternsperformed on authentic instruments.Then I think of you,your sweet anxious voiceas we parted on the street,the warmth of your forearmwhile Nero and Poppeafucked without convictionabove the orchestra pit,your strident breathingpiping through the house,Claudio’s Vespro heard before dawn.And then it occurs to methat my body remains as you blessed it, these truant hands undeflected,that held you, incited,operas ago, in antiquity. Peter Rose More by Peter Rose › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.