Published in Overland Issue · Uncategorized Dream kitchen Eileen Chong I saw my ancestor making omelettes // from leftover bits of shadow. ‘Year’s End’, Chen Chen In my dream, I was sitting in my usual seat at the round table in my grandmother’s kitchen. Next to it, in the living room, a heavy wooden bench where the sofa should have been, intricately carved with flowers, inlaid with bright mother-of-pearl: a partial repayment of a debt owed to my dead grandfather. Also accepted: sandalwood sculptures of eighteen luohan in glass cases, their faces detailed and grotesque in eternal speechlessness. The crags of the mountains where the immortals perched were wet with our tears. We learned not only of his death, but of our own fates: to become moths hurling our small bodies over and over at backlit doors which would never open for us. In my dream, my grandmother was serving me boiled dumplings in a rice bowl. I picked one up with chopsticks and bit it in half. It was filled with words; they oozed across blue-and-white porcelain. There were Chinese characters, and letters from the English alphabet. I coughed up glitter into a pink napkin; golden numerals spilled from the cloth onto the tiled floor. I asked for some tea. My grandmother reached into the wicker basket, and lifted out a grey rock with a spout and a handle. Little red fish swam in my cup, but when I raised it to my lips, they turned into yellow starfish that unfurled like suns. I knew it was only a dream, because I was in my bed, alone. I was far from her, and home. Read the rest of Overland 245 If you enjoyed this piece, buy the issue Or subscribe and receive Eileen Chong Eileen Chong is an Australian poet. She is the author of nine books. We Speak of Flowers is forthcoming from UQP in 2025. Website: www.eileenchong.com.au More by Eileen Chong › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 27 February 202527 February 2025 · ecology Keeping it in the ground: pasts, presents and futures of Australian uranium Nicholas Herriot Uranium has come a long way from the “modern Midas mineral” of the 1950s. However, in an increasingly dangerous, militaristic and volatile world, it remains a lucrative and potentially lethal metal. And it is so important precisely because of its contested past and possible futures. 25 February 202525 February 2025 · the arts Pattern recognition: censorship, control and interference in Australia’s art ecology David Pledger My final thoughts go to the artist and curator who have borne the brunt of this injury. Selection for the Venice Biennale is a significant event for an Australian artist and curator. To be treated so shabbily must cause pain to both. One can only hope the outcry of fellow artists, the solidarity shown by many, and the strong stance of their shortlisted colleagues, provides some succour.