Published in Overland Issue 217 Summer 2014 · Uncategorized Save Behana Gorge Phillip Hall To town planners, the granite gorge traces like a wound across this scythed and hothouse landscape; its water a sprawling spray-storm in the Wet spitting and exposing steep barriers to advancement. Against the creek’s current, tadpoles attach head-first to rocks, while on the banks burrowing frogs chorus in the leaf litter and leeches stand erect on their sucker-rear-ends, longing for blood. Sometimes we see a cormorant or a heron, or hear the shrill staccato notes of a whistling kite circling treetops. You watch catfish guarding nests of stones as water rats slip through a strainer of flood debris. People come here to swim or spray graffiti. Sometimes, though, when I spend time in the gorge, all I hear is the zeroing- in of mozzies, all I see is the spray of the torrent as I wait for curlew to call their drawn-out wailing weeer-eearr. Often I’ll just stare into the canopy as dragonflies manoeuvre their fabulist films in the flickering light or I’ll watch the orb spider strung golden between trees and spotted with silver dew, or follow the line of swimming holes, lichen, fungus and fern, now proposed as a pipeline by the Cairns Water Corporation. Phillip Hall Phillip Hall works in remote Indigenous education in the Northern Territory. He has recently completed a PhD with Wollongong University and his book, Sweetened in Coals, is due for publication with Ginninderra Press. More by Phillip Hall › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 27 November 202427 November 2024 · Cartoons So much to tell you: or, piercing plant tissue with needle-like mouth-parts Sofia Sabbagh Looking for things meant I could enjoy the feeling in my body. Something like hope, or friendship. 25 November 202425 November 2024 · Reviews Poetic sustenance: a close reading of Ellen van Neerven’s “Finger Limes” Liliana Mansergh As a poem attuned to form, embodiment, sensory experience and memory, van Neerven’s “Finger Limes” presents an intricate meditation on poetic sustenance and survival. Its riddling currents exemplify how poetry is not sustained along a linear axis but unfolds in eddies and counter currents.