Published in Overland Issue 217 Summer 2014 · Uncategorized Save Behana Gorge Phillip Hall To town planners, the granite gorge traces like a wound across this scythed and hothouse landscape; its water a sprawling spray-storm in the Wet spitting and exposing steep barriers to advancement. Against the creek’s current, tadpoles attach head-first to rocks, while on the banks burrowing frogs chorus in the leaf litter and leeches stand erect on their sucker-rear-ends, longing for blood. Sometimes we see a cormorant or a heron, or hear the shrill staccato notes of a whistling kite circling treetops. You watch catfish guarding nests of stones as water rats slip through a strainer of flood debris. People come here to swim or spray graffiti. Sometimes, though, when I spend time in the gorge, all I hear is the zeroing- in of mozzies, all I see is the spray of the torrent as I wait for curlew to call their drawn-out wailing weeer-eearr. Often I’ll just stare into the canopy as dragonflies manoeuvre their fabulist films in the flickering light or I’ll watch the orb spider strung golden between trees and spotted with silver dew, or follow the line of swimming holes, lichen, fungus and fern, now proposed as a pipeline by the Cairns Water Corporation. Phillip Hall Phillip Hall works in remote Indigenous education in the Northern Territory. He has recently completed a PhD with Wollongong University and his book, Sweetened in Coals, is due for publication with Ginninderra Press. More by Phillip Hall › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 27 February 202527 February 2025 · ecology Keeping it in the ground: pasts, presents and futures of Australian uranium Nicholas Herriot Uranium has come a long way from the “modern Midas mineral” of the 1950s. However, in an increasingly dangerous, militaristic and volatile world, it remains a lucrative and potentially lethal metal. And it is so important precisely because of its contested past and possible futures. 25 February 202525 February 2025 · the arts Pattern recognition: censorship, control and interference in Australia’s art ecology David Pledger My final thoughts go to the artist and curator who have borne the brunt of this injury. Selection for the Venice Biennale is a significant event for an Australian artist and curator. To be treated so shabbily must cause pain to both. One can only hope the outcry of fellow artists, the solidarity shown by many, and the strong stance of their shortlisted colleagues, provides some succour.