Published in Overland Issue 202 Autumn 2011 · Writing / Main Posts Survey John Kinsella It’s been too hot during the day to survey the block – ornate language doesn’t do the trick, it’s a physical, material, and pragmatic performance … not ‘radical empiricism’, but an act of preservation. The difference here; the difference elsewhere. I work this over as I note the fast, hot winds have brought down two great limbs from the eucalypt by the tank, the green leaves already seared and probably ‘dead before they hit the ground’. The water trough I fill for kangaroos and other wildlife in this desiccated habitat is almost dry and what moisture remains informs a bloom of algae. I clean and refill. Red ants bite my feet and I carefully brush them away. A hawk looks for a safe perch to settle for the night. Each substance ‘inheres’, or is it ‘in which they inhere’? as William James might attribute to this wood from the fallen tree, questioning its quality of ‘combustibility and fibrous structure’. I – we – manage our days because of those attributes, those qualities of burn. I survey the block in the relative cool of evening while there’s still enough light to make things out: shape them individually and as an entirety, into a whole that adds up, is as good as might be, kept from larger harm, grouped in those days James lectures us about, phenomena of climate and gumption to resolve as much as possible. I entrust to the relative cool of night. John Kinsella John Kinsella’s most recent poetry books include the verse novel Cellnight (Transit Lounge, 2023), The Argonautica Inlandica (Vagabond, 2023), and the three volumes of his collected poems: The Ascension of Sheep (UWAP, 2022), Harsh Hakea (UWAP, 2023) and Spirals (UWAP, 2024). A recent critical book is Legibility: An Antifascist Poetics (Palgrave, 2022). More by John Kinsella › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 11 December 202411 December 2024 · Writing The trouble Ken Bolton’s poems make for me, specifically, at the moment Linda Marie Walker These poems doom me to my chair and table and computer. I knew it was all downhill from here, at this age, but it’s been confirmed. My mind remains town-size, hemmed in by pine plantations and kanite walls and flat swampy land and hills called “mountains”. 4 October 202418 October 2024 · Main Posts Announcing the Nakata Brophy Prize for Young Indigenous Writers 2024 longlist Editorial Team Sponsored by Trinity College at the University of Melbourne and supporters, the Nakata Brophy Prize for Young Indigenous Writers, established in 2014 and now in its ninth year, recognises the talent of young Indigenous writers across Australia.