Published in Overland Issue Photonic Overland · Uncategorized Modulate a thousand times more Peter Wildman long theTime; color beBlue = color(0, 0, 253); long forNow; color beGreen = color(0, 255, 0); color theBleedingRed = color(255, 0, 0); long more = 2; long foreverInAMoment; void setup() { background(0); size(1000, 1000); theTime = 1000 * more; } void draw() { for(long ingTheTime = foreverInAMoment; theTime > 0; theTime −−) { set(int (random (int (theTime), (int (foreverInAMoment))), 222, theBleedingRed); } set(1+1+1+ int (random (1,1*1*1000+more)), int (theTime + (random (1+2,1000+more) )), 2+beBlue); set(int (foreverInAMoment) + int (random (1,1000)), int (theTime + int (random (1+2,1000+more) )), 2+beGreen); for(int thisMoment = 2; beGreen > 2 % 1000*more; //still thisMoment++){ } } Peter Wildman Peter Wildman is a media artist who has been messing around with technology ever since he was 12 and he successfully wired up a telephone line in his bedroom using sticky tape and al-foil. Since then he has been building interactive installations, teaching others to mess with technology and hacking his way around the world in code. More by Peter Wildman › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.