Published in Overland Issue Photonic Overland · Uncategorized Modulate a thousand times more Peter Wildman long theTime; color beBlue = color(0, 0, 253); long forNow; color beGreen = color(0, 255, 0); color theBleedingRed = color(255, 0, 0); long more = 2; long foreverInAMoment; void setup() { background(0); size(1000, 1000); theTime = 1000 * more; } void draw() { for(long ingTheTime = foreverInAMoment; theTime > 0; theTime −−) { set(int (random (int (theTime), (int (foreverInAMoment))), 222, theBleedingRed); } set(1+1+1+ int (random (1,1*1*1000+more)), int (theTime + (random (1+2,1000+more) )), 2+beBlue); set(int (foreverInAMoment) + int (random (1,1000)), int (theTime + int (random (1+2,1000+more) )), 2+beGreen); for(int thisMoment = 2; beGreen > 2 % 1000*more; //still thisMoment++){ } } Peter Wildman Peter Wildman is a media artist who has been messing around with technology ever since he was 12 and he successfully wired up a telephone line in his bedroom using sticky tape and al-foil. Since then he has been building interactive installations, teaching others to mess with technology and hacking his way around the world in code. More by Peter Wildman › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 10 April 202610 April 2026 · open letter Open letter: RMIT staff and students oppose disciplinary action against Gemma Seymour over video opposing links to weapons ties RMIT University Staff and Students Freedom of speech and expression is absolutely vital in academic institutions. Students who engage in activism should not be punished for doing so, and discipline procedures are not there to be abused as a tool of intimidation. We call for the disciplinary process against Gemma to cease immediately. 9 April 202610 April 2026 · CoPower Against the will to engineer: Richard King’s Brave New Wild Ben Brooker The response demanded of us in the twenty-first century must operate at the level of metaphysics as well as the material, addressing our underlying assumptions about the instrumentalisation of nature and what constitutes a meaningful life in the face of technology’s relentless advance. To neglect that deeper terrain is to concede, in advance, the very ground on which our resistance to the machine must stand.