Published in Overland Issue Photonic Overland · Uncategorized Modulate a thousand times more Peter Wildman long theTime; color beBlue = color(0, 0, 253); long forNow; color beGreen = color(0, 255, 0); color theBleedingRed = color(255, 0, 0); long more = 2; long foreverInAMoment; void setup() { background(0); size(1000, 1000); theTime = 1000 * more; } void draw() { for(long ingTheTime = foreverInAMoment; theTime > 0; theTime −−) { set(int (random (int (theTime), (int (foreverInAMoment))), 222, theBleedingRed); } set(1+1+1+ int (random (1,1*1*1000+more)), int (theTime + (random (1+2,1000+more) )), 2+beBlue); set(int (foreverInAMoment) + int (random (1,1000)), int (theTime + int (random (1+2,1000+more) )), 2+beGreen); for(int thisMoment = 2; beGreen > 2 % 1000*more; //still thisMoment++){ } } Peter Wildman Peter Wildman is a media artist who has been messing around with technology ever since he was 12 and he successfully wired up a telephone line in his bedroom using sticky tape and al-foil. Since then he has been building interactive installations, teaching others to mess with technology and hacking his way around the world in code. More by Peter Wildman › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 17 January 202517 January 2025 · rape culture Neil Gaiman and the political economy of rape Emmy Rakete The interactions between Gaiman, Palmer, Pavlovich, and the couple’s young child are all outlined in Shapiro’s article. There is, though, another figure in the narrative whom the article does not name. Auckland city itself is a silent participant in the abuse that Pavlovich suffered. Auckland is not just the place where these things happen to have occurred: this is a story about Auckland. 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this.