Published in Overland Issue 254 Autumn 2024 · Poetry larapuna Chloe Mayne in larapuna, the bay is fired orangeand my foremothers are in the windthe palm of my hand white after long winterbut my eyes are black, i cannot (un)seesealed bitumen over the bluff like a strapnor the pink of perfect appletamed sweet, a real lady — my foremothers are in the wind,rubbing grease into saltskinthey grapple the belly-boulderswhere i lay, full and fat like a sealrelease the last sighs of blood to the sea,see the tide collect the clotsand drift them like weeds —patrula, patrula, i turn words in tongueof kelp shells, scorched by flameand hurl that apple into the bay,see it melt into the licking waveswhere, it is clearmy foremothers are in the windthey are gone, always hereJudith Wright Poetry Prize (Third Place) Supported by the Malcolm Robertson Foundation Chloe Mayne Chloe Mayne is descended from the trawlwoolway peoples of lutruwita’s north-east. Her work moves in the realms of mothering, decoloniality and ecology. She is currently writing a creative doctorate at the University of the Sunshine Coast. More by Chloe Mayne › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 5 November 2025 · Poetry Force posture agreement Miroslav Sandev The men of Darwin have all taken their rottweilers / out for a walk at the same time. / For our protection. Like Pine Gap: / all those big white eyes that scan / the darkening horizon. / The eyes stay woke, so that we may sleep. / Or so they say. 1 22 August 202522 August 2025 · Poetry starmight K.A Ren Wyld Ending genocide and apartheid is the story. Palestinian liberation is the story. / Aboriginal rights is the story. Truth, justice, treaties and land back is the story. / Global Indigenous peoples’ solidarity and joy is the story. Kinship is the story.