Published in Overland Issue 248 Spring 2022 · Uncategorized Editorial Evelyn Araluen and Jonathan Dunk This issue goes to print shortly after the fiftieth anniversary of the victory of the Whitlam government, a moment in Australian history that increasingly resembles a fragment from another political reality. But then, there’s an extent to which progress always does; there’s a moment to which radical positive change first manifests itself, to paraphrase Jameson, like a utopian spark cast by a passing comet. Our 248th issue is dominated by fragments, fissures and speculations. Abigail Fisher’s alchemical tribute to Bella Li makes poetry the gap between myth and allegory, and Michael Griffiths traces the resonance between TS Eliot’s organisation of history in ‘The Waste Land’ and Carl Schmitt’s model of political theology as a grim augur of the neoliberalism to come. In fiction, meanwhile, Bruna Gomes splinters the patterns of consent manufacture to expose the moral decay roiling beneath. If the whole, as Adorno put it, is always already the false, perhaps the formal recognition of the fragment can point the way to different versions of the possible. Bugalwan, solidarity, Evelyn Araluen & Jonathan Dunk Evelyn Araluen Evelyn Araluen is a Goorie and Koori poet, researcher and co-editor of Overland Literary Journal. Her Stella-prize winning poetry collection DROPBEAR was published by UQP in 2021. She lectures in Literature and Creative Writing at Deakin University. More by Evelyn Araluen › Jonathan Dunk Jonathan Dunk is the co-editor of Overland, a widely published poet and scholar. He lives on Wurundjeri country. More by Jonathan Dunk › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 18 December 202418 December 2024 · Nakata Brophy Prize Dawning in the rivulet of my father’s mourning Yasmin Smith My father floats words down Toonooba each morning. They arrive to me by noon. / Nothing diminishes in his unfolding, not even the currents in midwinter June. / He narrates the sky prehistorically like a cadence cutting him into deluge. 16 December 202416 December 2024 · Palestine Learning to see in the dark Alison Martin Images can represent a splice of reality from the other side of the world, mirror truths about ourselves and our collective humanity we can hardly bear to face. But we can also use them to recognise the patterns of dehumanisation that have manifested throughout history, and prevent their awful conclusions in the present. To rewrite in real time our most shameful histories before they are re-made on the world stage and in our social media feeds.