Type
Editorial

Editorial

In July critics and teachers of Australian literature met in Nipaluna/Hobart to commemorate the thirty-year anniversary of the Mabo decision, and to trace its various afterlives in the novels, films, and poems of the settler-colony. Keynotes and papers contemplating the changing aesthetics and politics of Australian writing were punctuated by austere reminders of the decimation of an already exclusionary humanities sector. The scattering of early career researchers subsidising precarious sessional work by drawing on their superannuation, stories of suddenly terminated contracts in place of missing colleagues, and remaining ones drowning under compounding administrative duties as professional services are stripped to their absolute and untenable minimums. The dissonance between symbolic progress and material regress was a stark reminder of the disingenuities settlement, and the inadequacy of merely representational politics. The essays in this edition of Overland are un-themed, but all investigate the relationship between place and labour, and the necessity of collectively re-imagining that relationship.

Bugalwan, solidarity,

Evelyn Araluen & Jonathan Dunk

 

 

Read the rest of Overland 246

If you enjoyed this piece, buy the issue

Or subscribe and receive
four brilliant issues for a year

Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places.

If you like this piece, or support Overland’s work in general, please subscribe or donate.

Evelyn Araluen is a poet, educator, and co-editor of Overland. Her Stella Prize winning book DROPBEAR was published by UQP in 2021. Born, raised, and writing in Dharug country, she is a Bundjalung descendant. She tweets at @evelynaraluen

Jonathan Dunk is the co-editor of Overland, and a widely published poet and scholar. He lives on Woi Wurrung country.

More by and