Published in Overland Issue 244 Spring 2021 · Poetry Autofiction Šime Knežević The author composes an homage to a self who sings and sails on the great game of once upon a time. I am a sailor. I sing to excess. I am as perverse as degenerate art. I typecast myself across digital space. I am ageing with the superrich. We go way back to the Ancients. We even go to the same gym. I sketch a shoreline, slowly lifting the world, so it has days and very soon the smell of lavender. I ‘feel’ no separation between aspects of my contents, a century of classes, visits and titles. I feel intact. My wounds reoccur in name only where an encyclopaedia expands my body until it touches the whole world. I am also linked without proof to my disappearance at lunchtime. I summon a .wav file, and I sink. A jaw-dropping way to hide in continuous desire. I am thrown into a fate where I become an anonymous user with a span of life as long as noon. I am as calm and confused as the sea. I signal with my hand. I think it’s a natural gesture. A voice mirrors, so I speak English. I feel any other school of thought will try to silence me. The feel of a daydream is like the feel of a ripple in the ocean. I am a ship in distress at sea. I cry for mankind.wmv Read the rest of Overland 244 If you enjoyed this piece, buy the issue Or subscribe and receive four brilliant issues for a year Šime Knežević Šime Knežević is a writer from Sydney. His debut poetry chapbook The Hostage was published by Subbed In. More by Šime Knežević › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 8 November 20248 November 2024 · Poetry Announcing the final results of the 2024 Nakata Brophy Prize for Young Indigenous Writers Editorial Team After careful consideration, judges Karen Wyld and Eugenia Flynn have selected first place and two runners-up to form the final results of this year’s Nakata Brophy Prize! 6 November 20246 November 2024 · Poetry TV Times Kate Lilley I try out for Can Can after school / knowing I’m not cut out for the high kicks / Ballads chansons show tunes ok / I can belt out Judy Garland and all the songs from Oliver / “Who Will Buy”/”As Long as He Needs Me” / Wher-e-e-e-ere is love