Published in Overland Issue 243 Winter 2021 · Uncategorized Editorial Evelyn Araluen and Jonathan Dunk In Overland’s 243rd issue, we’re proud to print the results of the inaugural Kuracca prize established honour of Aunty Kerry Reed-Gilbert. We received an enormous number of submissions from writers of all levels of experience, and each of our veteran judges, Jeanine Leane, Elena Gomez and Justin Clemens remarked on the breadth and quality of submissions. Our winning entry came from Adam Brannigan, a registered nurse and previously unpublished writer; his poetic narrative ‘Great grandmother Arrabrilya’ is a powerful reminder of the healing possibilities of language and culture, which so many of us — currently languishing in lockdown — might need. It’s conventional at the moment to opine on the hidden costs and generational sacrifices of the pandemic, which are of course, terrible. Robbo Bennett’s essay ‘The Bridge and the Fire’ articulates a new history of solidarity marginal to headline news, and perhaps points towards other narratives of care and decency currently being written. Solidarity, Evelyn Araluen & Jonathan Dunk Evelyn Araluen Evelyn Araluen is a Goorie and Koori poet, researcher and co-editor of Overland Literary Journal. Her Stella-prize winning poetry collection DROPBEAR was published by UQP in 2021. More by Evelyn Araluen › Jonathan Dunk Jonathan Dunk is the co-editor of Overland, a widely published poet and scholar. He lives on Wurundjeri country. More by Jonathan Dunk › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 1 6 November 2026 · Friday Fiction Headland Harry Goddard He must have still been sore. I could tell from the winces he made as he scooted down the trail. Some unspoken agreement of not hitting other people’s children — and the circumstances of me not being that type of kid — spared me from the same punishment. I was taken to my parents who agreed I would have to work off the damages, and I must have mowed the lawn once, or cleaned the family car. 4 November 2026 · Film MIFF, Minotaur and the politics of maternal reception Alicia Byrnes Maternal labour is, in the terms I’ve set out here, not labour at all. Noisy, unfocused, mobile, perhaps even sleepy — it is an affront to arthouse film viewing and therefore unserious.
