Published in Overland Issue 241 Summer 2020 · Uncategorized Editorial Evelyn Araluen and Jonathan Dunk The idea of a public or collective space is inherently fluid, and perhaps contradictory; a matter of constantly shifting definitions. What we witnessed on the sixth of January at the US Capitol building was, among other things, a dispute about what a public institution is, and what it owes to which citizens. Scenes of white police officers calmly allowing Trump supporters to infiltrate the senate floor and some of the reported remarks: ‘This is not America … they’re supposed to shoot BLM’ nakedly displayed the inequity of some of these definitions. A number of the essays in this edition engage with our previous edition’s focus on global Indigenous activism, others explore the complexity of inter-subjective space in other contexts. Writing and publishing are their own kinds of public space, structured by the conflicting definitions of race, class, and gender. In ‘White Mythology’ Derrida argued that western metaphysics, in attempting to erase its own historical specificity, misrepresents itself as abstract, universal, and infinitely plastic. In Australian writing the myth is more precise. William Stanner described Australian history as a window carefully placed to allow only one view of the landscape, and Australian literature is still marked by this myopia. Michael R Griffiths writes that the expression of settler nationalism is built upon a pathology of melancholia; a colonial logic of elimination which fetishises that which it destroys. This logic is palpable in much canonical Australian writing, from Lawson and Patterson, to Patrick White and Eleanor Dark, to the Jindyworobaks and Les Murray. To articulate an effective ethics of reading, writing, and publishing in this continent we must properly frame Aboriginality as an agentic subject, rather than a nationalist prop. Jeanine Leane’s essay in this edition is a singular step towards better definitions. Solidarity. Read the rest of Overland 241 If you enjoyed this piece, buy the issue Or subscribe and receive four brilliant issues for a year Evelyn Araluen Evelyn Araluen is a Goorie and Koori poet, researcher and co-editor of Overland Literary Journal. Her Stella-prize winning poetry collection DROPBEAR was published by UQP in 2021. She lectures in Literature and Creative Writing at Deakin University. More by Evelyn Araluen › Jonathan Dunk Jonathan Dunk is the co-editor of Overland and a widely published poet and scholar. He lives on Wurundjeri country. More by Jonathan Dunk › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 30 August 2024 · the arts The statements we make Kate Larsen As artists, cultural workers and arts organisations, ours is the business of statement-making. I was reminded of this recently by the work of Portuguese artist Tiago Casanova, whose installation Every wall is a Statement is currently part of the A liberdade e só a Liberdade exhibition (‘Freedom and only freedom’) at The Art and Culture […] 28 August 202428 August 2024 · literary culture What I learnt from reading Chinese youth agony literature Stephanie Qiu Youth agony literature swept across high schools in China from the mid-2000s to early 2010s. While boys played Dota, girls read romance. When my best friend got caught reading a popular book called Devil’s Kiss at recess, the head teacher confiscated it and called her parents in.