Published in Overland Issue 240 Spring 2020 · Uncategorized I woke up this morning Omar Sakr and asked the bird if it feels trapped by its song, by its language being known only as melody. Its eloquent speech ‘my home is endless and dying’ reduced to piping notes, a shrill ringtone. I am talking to myself. The birds are gone. This is the problem of poetry. We siren our warnings and the world drowns to the sound of our beautiful voices. I would not want it any other way. I love a good dirge. And I am tired of being told to claim my joy. What am I to do with happiness? Where on earth can happiness reside? An astonishing number of my family are dead. An astonishing number of my family are alive. I woke up for this morning song. Read the rest of Overland 240 If you enjoyed this piece, buy the issue Or subscribe and receive four brilliant issues for a year Omar Sakr Omar Sakr is the author of two acclaimed poetry collections, These Wild Houses (Cordite, 2017) and The Lost Arabs (UQP, 2019) which won the 2020 Prime Minister’s Literary Award for Poetry. His debut novel, Son of Sin (2022) is out now. More by Omar Sakr › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 24 April 202624 April 2026 · Friday Poetry A slam dunk publication Michael Farrell Australians said, landed among manatees, did useful, / neatnesses, knitted, pleasingly. Spared liaisons, amassed, / mortal dangers, unforeseen, nor kids, prayed aloud. 1 23 April 202623 April 2026 · The media The importance of democratic frequencies: on the threatened closure of 2SER Daz Chandler 2SER operates not just as a broadcaster, but as an incubator of democratic culture, its alumni carrying forward practices shaped by collaboration, dissent and accountability to community.
