Published in Overland Issue 240 Spring 2020 · Uncategorized 'Coda' for my Smoke Incrypted Whispers Samuel Wagan Watson I am a vexed engineer: my ‘smoke encrypted whispers’ faded toward the obscurity of spectral encrypted echoes … Ghost-editing over old ground … Discovering that my words previously published were morphing into crawly-little arachnoids and flies, attacking one-another … All the shiny sentences I had orchestrated were like buttons on a favourite shirt that were gradually popping off and lost; one after the other … If only I could rearrange the mottles of spiderwebs that tarnish and choke inspiration … To regain love that has not been usurped … To look at the abyss of night again and only see something terrific and omit the terrifying … To walk away from the scarlet glare of a blood moon and catch the lost tail of a random comet, as it reveals the path for gently losing oneself in an infinite cleansing … A mind de-misted in the wake of a clear night, shooting star kisses … Read the rest of Overland 240 If you enjoyed this piece, buy the issue Or subscribe and receive four brilliant issues for a year Samuel Wagan Watson Samuel Wagan Watson is a Brisbane-based writer of Germanic and Wunjaburra ancestry. In 2018 his body of work was granted the Patrick White Literary Award. More by Samuel Wagan Watson › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 26 July 202426 July 2024 · Poetry Song of despair πO A new poem by πO 24 July 202424 July 2024 · pop culture Swamp monster of the rock’n’roll de/generation Rock Chugg In the 1980s, a horrible time was had by all. Yet the assorted Australian talent for making the best of a bad thing, gave us the most important and characteristic popular music genre, locals have (n)ever known.