Published in Overland Issue 237 Summer 2019 · Uncategorized Wheelie bin juice Liz Duck-Chong it’s fuckin hot out today we sweat at each other, perspiring punctuation; this is my sentence and i am lying on the dying lawn like death row. another day in another tank watered garden variety backyard we dream, draining the dam dry trying to get the sticky off our skin until guilt sets in; staining our limbs like bathing in cordial, we are an island girt by cicada thrum. the drone of cut grass never stops, all two stroke exhaust, a blue collar man’s suburban blade dance to the goddess of something greener; a domestic picks up half a block away, odd words perforating welcome soft breeze as the wheelie bins join in, kick up a stink of their own. meanwhile, back on the ranch we roast alive; i lean and reach for the tap; dig your own grave you concur, preferring to take the anthroposcenic route together. sprinkler on, eyes closed, tongue out and devout in prayer to whatever. Read the rest of Overland 237 If you enjoyed this piece, buy the issue Or subscribe and receive four brilliant issues for a year Liz Duck-Chong Liz Duck-Chong is a writer, sexual health nerd and filmmaker who has had articles, poetry and essays in a range of publications, including previously in Overland. She co-hosts wholesome sex ed show @letsdoitpodcast, and is on Twitter at @lizduckchong. More by Liz Duck-Chong › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 27 February 202527 February 2025 · ecology Keeping it in the ground: pasts, presents and futures of Australian uranium Nicholas Herriot Uranium has come a long way from the “modern Midas mineral” of the 1950s. However, in an increasingly dangerous, militaristic and volatile world, it remains a lucrative and potentially lethal metal. And it is so important precisely because of its contested past and possible futures. 25 February 202525 February 2025 · the arts Pattern recognition: censorship, control and interference in Australia’s art ecology David Pledger My final thoughts go to the artist and curator who have borne the brunt of this injury. Selection for the Venice Biennale is a significant event for an Australian artist and curator. To be treated so shabbily must cause pain to both. One can only hope the outcry of fellow artists, the solidarity shown by many, and the strong stance of their shortlisted colleagues, provides some succour.