Published in Overland Issue 237 Summer 2019 · Uncategorized Tenor and vehicles Shastra Deo Fact: things are like other things. Supposition: liking tweets is like a simile. A house on fire. Like an inconsequence. My love is like a rose. A daikon radish. Birdsong like a car alarm. My love is like a transuranic element. Or a glass half full of milk five minutes from the refrigerator, suspended between palm, floor, and the condensation that coats it. Fact: some things are something else. A thought is a single -celled organism. Supposition: to speak is a rhizome. My love is a vowel sound. An assonance. A round mouth’s red. Fact: the poet tells me my bones are already ninety percent cold war detritus, which is to say the act of telling bears the fact, not the bones. Fact: a prophet is always a poet, but not the reverse. A prophet is an apocalypse. An apocalypse a sheet pulled off a rear-view mirror. A moment’s sun is days, minutes, or millirems. Accumulation a spending. My love is a spatial category. A semiotic decomposition. A childhood is a Kodak film canister, or a rawboned calf muscle in white knee socks. My love is a poet. My love is the face of a poet really which is the face of the hunter half transformed into stag or wounded dog. A doe is a laurel tree. My love is a baseball bat. My love is a wound -up clock spring, a temporal dissonance, a metaphor is conceit, my love is like my beloved is the species of dark and warmth that closes over hands in coat pockets in an air-conditioned room. Read the rest of Overland 237 If you enjoyed this piece, buy the issue Or subscribe and receive four brilliant issues for a year Shastra Deo Shastra Deo was born in Fiji, raised in Melbourne, and lives in Brisbane. Her first book, The Agonist (UQP, 2017), won the 2016 Arts Queensland Thomas Shapcott Poetry Prize and the 2018 ALS Gold Medal. More by Shastra Deo › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 27 February 202527 February 2025 · ecology Keeping it in the ground: pasts, presents and futures of Australian uranium Nicholas Herriot Uranium has come a long way from the “modern Midas mineral” of the 1950s. However, in an increasingly dangerous, militaristic and volatile world, it remains a lucrative and potentially lethal metal. And it is so important precisely because of its contested past and possible futures. 25 February 202525 February 2025 · the arts Pattern recognition: censorship, control and interference in Australia’s art ecology David Pledger My final thoughts go to the artist and curator who have borne the brunt of this injury. Selection for the Venice Biennale is a significant event for an Australian artist and curator. To be treated so shabbily must cause pain to both. One can only hope the outcry of fellow artists, the solidarity shown by many, and the strong stance of their shortlisted colleagues, provides some succour.