Published in Overland Issue 237 Summer 2019 · Uncategorized Nature strip tease Harriet McInerney The circadian rhythm of the footpath gets messy on wk/ends. In the early morning I break out in a dew. My tote bag needs a good wash, I think, waiting for the Uber Pool. If a woman has no sidewalk then we will imagine one for her. The nature strip is not lush but trodden. An ideological position can never be really successful until it is naturalised. And the Uber Pool still hasn’t arrived while I eye the resilience of a kikuyu lawn. I bought a litre of coconut water for my health, and a kilo of corner store for my rental crisis. That’s normal, right? The parking inspector will inspect empty space. So just push through the greenery to show me something natural (Like an ass with some stretch marks). Let your nature strip go to seed, your self-care be squandered here in the circadian mess of strangers & watch the footpath, always. Italicised lines from: Anne Boyer, Garments against Women Mark Fisher, Capitalist Realism Kendrick Lamar, ‘HUMBLE’ Harriet McInerney Harriet McInerney is a Sydney-based writer. She is the author of Houseplant (SOd) and was shortlisted for the 2018 TLB Experimental Non-Fiction Prize. More by Harriet McInerney › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 27 February 202527 February 2025 · ecology Keeping it in the ground: pasts, presents and futures of Australian uranium Nicholas Herriot Uranium has come a long way from the “modern Midas mineral” of the 1950s. However, in an increasingly dangerous, militaristic and volatile world, it remains a lucrative and potentially lethal metal. And it is so important precisely because of its contested past and possible futures. 25 February 202525 February 2025 · the arts Pattern recognition: censorship, control and interference in Australia’s art ecology David Pledger My final thoughts go to the artist and curator who have borne the brunt of this injury. Selection for the Venice Biennale is a significant event for an Australian artist and curator. To be treated so shabbily must cause pain to both. One can only hope the outcry of fellow artists, the solidarity shown by many, and the strong stance of their shortlisted colleagues, provides some succour.
