Published in Overland Issue 237 Summer 2019 · Uncategorized Nature strip tease Harriet McInerney The circadian rhythm of the footpath gets messy on wk/ends. In the early morning I break out in a dew. My tote bag needs a good wash, I think, waiting for the Uber Pool. If a woman has no sidewalk then we will imagine one for her. The nature strip is not lush but trodden. An ideological position can never be really successful until it is naturalised. And the Uber Pool still hasn’t arrived while I eye the resilience of a kikuyu lawn. I bought a litre of coconut water for my health, and a kilo of corner store for my rental crisis. That’s normal, right? The parking inspector will inspect empty space. So just push through the greenery to show me something natural (Like an ass with some stretch marks). Let your nature strip go to seed, your self-care be squandered here in the circadian mess of strangers & watch the footpath, always. Italicised lines from: Anne Boyer, Garments against Women Mark Fisher, Capitalist Realism Kendrick Lamar, ‘HUMBLE’ Harriet McInerney Harriet McInerney is a Sydney-based writer. She is the author of Houseplant (SOd) and was shortlisted for the 2018 TLB Experimental Non-Fiction Prize. More by Harriet McInerney › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.