Published in Overland Issue 235 Winter 2019 · Uncategorized Sapphic legacy Siobhan Hodge Marble braced – you are fed on the offerings loved by women. Tender sheets, beloved breast and curving hip. Aphrodite’s call was yours to issue. You are softness, pleasure and the push. You take all that we still give. Dark eye and proud brow. Took the name and made it foreign, home and whole. To make love as the women from Lesbia used to mean a very different thing. You took that too and made crushed violets of sweet longing. I can only roll apples for a glance – we were made for each other – time apart. Maybe you would have cursed my eyes, damned my step and broken my every tooth in your open, pulping mouth as you did those girls before. Image: Thomas Kelley on Unsplash Read the rest of Overland 235 If you enjoyed this poem, buy the issue Or subscribe and receive four brilliant issues for a year Siobhan Hodge Siobhan Hodge has a PhD in English. She won the 2017 Kalang Eco-Poetry Award and 2015 Patricia Hackett Award. Her poetry and critical work has been published and translated widely. Her new chapbook, Justice for Romeo, is available through Cordite Books. More by Siobhan Hodge › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.