Published in Overland Issue 234 Autumn 2019 · Uncategorized Guest artist for Overland 234: Hoda Afshar Hoda Afshar Cover Artist’s Statement – cover Edris – Manus Island (2018) Edris is a Kurdish-Iranian refugee. He arrived at Australia’s shores in 2013 when he was only eighteen, before being sent to Manus Island – to Camp Delta, the harshest of all of Australia’s prison camps, as they call them there. Edris reminded me immediately of my younger brother in Iran. He described to me what being statelessness means, and how his dream of one day having an ID card sent him on this journey. He told me how his detention on Manus had become a nightmare equal to the one that he fled. I asked Edris what he will do with his freedom, if ever that day comes. He went silent, and looked away. Then he shyly replied, ‘I don’t know how freedom feels. I haven’t even seen it in my dreams yet.’ Later, when I returned from Manus and processed the films, this portrait of Edris came out blurry and vague. All that was left on the negative was the trace of his body, and that undreamt dream of his. Artwork for essay ‘That bird is for us’ Artwork for essay ‘Telling the untold stories’ Artwork for essay ‘The fire cult’ Artwork for essay ‘Combat breathing’ Artwork for essay ‘Not all yellow and white’ Artwork for essay ‘State your intentions’ Artwork for essay ‘Aqua Profonda’ Back cover art Read the rest of Overland 234 If you enjoyed this piece, buy the issue Or subscribe and receive four brilliant issues for a year Hoda Afshar Hoda Afshar was born in Tehran and is now based in Melbourne. Through her art practice, Hoda explores the nature and possibilities of documentary image-making. Her work has been widely exhibited locally and internationally, and published online and in print. hodaafshar.com More by Hoda Afshar › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying. 18 December 202418 December 2024 · Nakata Brophy Prize Dawning in the rivulet of my father’s mourning Yasmin Smith My father floats words down Toonooba each morning. They arrive to me by noon. / Nothing diminishes in his unfolding, not even the currents in midwinter June. / He narrates the sky prehistorically like a cadence cutting him into deluge.
