Published in Overland Issue 232 Spring 2018 · Uncategorized Patternicity Shey Marque On a beach track at Two Rocks, a stone; its lime weighs down the sudden minute. I watch sand swarm like bees that I once saw in a market town. They sent people running into buildings for keys to lock their windows, some woman with a goose was saying just because they’re stripy doesn’t mean they are robbers. Honey bees covered the back of my shirt, tangled in my hair, me not seeing much caught in that apoidean storm. Still the sand spirals against my legs, its rough manner of being stings me into knowing again that cut grass from the old lawn mower spitting at me as it passed beside the path chalked in squares and numbers. Now the swarming grit stops mid flight a thousand little engines stalling at my feet. A specimen of limestone rock its interior carved out like a hive, the walls lined with tiny cavities, a nest abandoned, as if the sand had wings. Image: Pebbles / flickr Read the rest of Overland 232 If you enjoyed this poem, buy the issue Or subscribe and receive four outstanding issues for a year Shey Marque Shey Marque is an emerging poet from Perth. A former medical scientist, she left her career in 2005 and completed a MA in writing in 2011. Her poetry has appeared in journals including Award Winning Australian Writing, Cordite, Meanjin, Westerly and Southerly. Aporiac, a chapbook, was published in 2016 with Finishing Line Press (USA). Her first full collection, Keeper of the Ritual, was shortlisted for the 2017 Noel Rowe Poetry Award for an unpublished manuscript, and recently accepted for publication by UWA Publishing forthcoming in 2019. More by Shey Marque › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 18 December 202418 December 2024 · Nakata Brophy Prize Dawning in the rivulet of my father’s mourning Yasmin Smith My father floats words down Toonooba each morning. They arrive to me by noon. / Nothing diminishes in his unfolding, not even the currents in midwinter June. / He narrates the sky prehistorically like a cadence cutting him into deluge. 16 December 202416 December 2024 · Palestine Learning to see in the dark Alison Martin Images can represent a splice of reality from the other side of the world, mirror truths about ourselves and our collective humanity we can hardly bear to face. But we can also use them to recognise the patterns of dehumanisation that have manifested throughout history, and prevent their awful conclusions in the present. To rewrite in real time our most shameful histories before they are re-made on the world stage and in our social media feeds.