Published in Overland Issue 232 Spring 2018 · Uncategorized Dysphoria Ellen van Neerven liberate love into dust shifting, self-gearing love them all credit me do what makes you happy she says but doesn’t mean it in the way my mum says the desire to take clothes off to take them off but also take off another layer underneath peel away those expectations get closer to my truth I love my mind but I haven’t come to terms with this I catch you in an embrace with another part of me looking backwards into dust Image: Oranges / James Lee Read the rest of Overland 232 If you enjoyed this poem, buy the issue Or subscribe and receive four outstanding issues for a year Ellen van Neerven Ellen van Neerven is an award-winning writer, editor and educator of Mununjali Yugambeh and Dutch heritage with strong ancestral ties to south east Queensland. 'Chermy' appears in van Neerven's newly released second poetry collection Throat (UQP, 2020). More by Ellen van Neerven › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.