Published in Overland Issue 231 Winter 2018 Uncategorized Nakata Brophy Prize: Judges’ notes Jeanine Leane and Toby Fitch All five poems on this year’s Nakata Brophy Prize shortlist – Jazz Money’s ‘as we attack’, Kirli Saunders’ ‘A dance of hands’, Laniyuk Garcon’s ‘Remember’, Raelee Lancaster’s ‘haunted house’ and Susie Anderson’s ‘revolve’ – are testimony to the diverse work of emerging Indigenous poets, not only in the Nakata Brophy Prize submissions, but more broadly across the country. Congratulations to the shortlist and the three following poets. Runner-up ‘A Dance of Hands’, by Kirli Saunders, is a sensorial retrospective love poem best read out loud. The other runner-up, Susie Anderson’s ‘revolve’, is a subtly evolving prose poem about the moon and the speaker coming-to-terms with events. This year’s first-placed poem, Raelee Lancaster’s ‘haunted house’, whose speaker reworks an old trope unflinchingly in the face of scepticism, was a clear winner. Its organically formed structure across three parts allows it to express multiple traumas experienced and inherited by Australian Indigenous peoples, individual and collective. This prize is sponsored by Trinity College, University of Melbourne. Read the rest of Overland 231 If you appreciate Overland’s support of new writers, buy the issue Or subscribe and receive four outstanding issues for a year Jeanine Leane Jeanine Leane is a Wiradjuri writer, poet and academic from southwest New South Wales. Her first volume of poetry, Dark Secrets After Dreaming: A.D. 1887-1961 (2010, Presspress) won the Scanlon Prize for Indigenous Poetry, and her first novel, Purple Threads (UQP), won the David Unaipon Award for an unpublished Indigenous writer. She has a PhD in Australian literature and Aboriginal representation. Her poetry and short stories have been published in Hecate, The Journal for the Association European Studies of Australia, Australian Poetry Journal, Antipodes, Overland and the Australian Book Review. Jeanine has published widely in the area of Aboriginal literature, writing otherness and creative non-fiction and is the recipient of an Australia Research Council Grant on Aboriginal literature. She teaches Creative Writing and Aboriginal Literature at the University of Melbourne. Her second volume of poetry, Walk Back Over was released in 2018 by Cordite Press. More by Jeanine Leane and Toby Fitch Toby Fitch Toby Fitch is Overland’s poetry editor, a lecturer in creative writing at the University of Sydney, and the poet behind Rawshock, Bloomin’ Notions, Where Only the Sky had Hung Before and, most recently, Sydney Spleen. He is the editor of the poetry anthologies Best of Australian Poems 2021 (co-edited with Ellen van Neerven) and Groundswell: The Overland Judith Wright Poetry Prize for New & Emerging Poets 2007–2020. More by Jeanine Leane and Toby Fitch Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays First published in Overland Issue 228 27 January 2023 Cartoons In attacking us, they bring us together Sam Wallman 'What these bosses don't understand is that in attacking us, they bring us together.' (Paddy Crumlin, Maritime Union of Australia, Svitzer Rally November 2022) First published in Overland Issue 228 24 January 202325 January 2023 Aotearoa / New Zealand The end of the politics of care Giovanni Tiso The daily spectacle of televised briefings was not unique to New Zealand, and it may simply be the case that Ardern thrived when given the opportunity to speak to the public directly—in other words, that she was better than others at it. Alternatively, we could say that her rhetoric found in the pandemic the ground on which to turn into concrete action. Either way, the benefits we derived in terms of lives saved from the remarkable extension of that social license are literally incalculable.