Published in Overland Issue 230 Autumn 2018 · Uncategorized Mouth form flower Jill Jones Let fault flaw Let the fence fall Let’s flabbergast the goal with tongues Let debacle warp in dawn Let beginning bury end Let a hundred pods hush Let the mouth form flower Let flesh flash Let’s lick plethora Let erosion jabber in the gown Let’s find fit and make do Let’s sieve without crashing Let debris fill rust Let myriad dapple and draw Let’s spurn our quote marks Let’s trick death perception Let limit out Let not mere quintessentials Let wreckless wreck more Let cloth drop Let’s lay waste the hours Let’s not say Let a thousand errors bloom Read the rest of Overland 230 If you enjoyed this poem, buy the issue Or subscribe and receive four outstanding issues for a year Jill Jones Jill Jones lives and works on unceded Kaurna land. Her latest book is Wild Curious Air, winner of the 2021 Wesley Michel Wright Prize. In 2015 she won the Victorian Premier’s Prize for Poetry for The Beautiful Anxiety. Her work is widely published in Australia, Canada, Ireland, NZ, Singapore, Sweden, UK, and USA and has been translated into a number of languages. She has worked as an academic, arts administrator, journalist, and book editor. More by Jill Jones › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 11 December 202411 December 2024 · Writing The trouble Ken Bolton’s poems make for me, specifically, at the moment Linda Marie Walker These poems doom me to my chair and table and computer. I knew it was all downhill from here, at this age, but it’s been confirmed. My mind remains town-size, hemmed in by pine plantations and kanite walls and flat swampy land and hills called “mountains”. 9 December 202411 December 2024 · Militarisation War stories: how weapons corporations create social licence for genocide Wage Peace The weapons industry remains masterful at propagating a number of quite specific false narratives to misdirect attention, not just at arms fairs, but across all their operations. This goes far beyond misrepresentation of police violence on protestors, and cumulatively aims to generate a social license, including for genocide.
