Published in Overland Issue 228 Spring 2017 · Uncategorized Trial Elena Gomez silk nest hull crisp plaits a deck cuffs in flanks The magistrate speaks with circle-shaped lips. The witch remains silent but licking her palm and smoothing the left parting on her hair. The first witness: we could smell the lavender and soon the pigs emerged from the barn and could not look around them. the animals were running very fast in many directions. The witch refuses her name of earthly possession. Magistrate: why do you continue to baste yourself? Murmurs from the crowd: the promise of rejuvenation. Witch: my speech is not ready for you. Read the rest of Overland 228 If you enjoyed this poem, buy the issue Or subscribe and receive four outstanding issues for a year Elena Gomez Elena Gomez is the author of Admit the Joyous Passion of Revolt (Puncher & Wattmann) and Body of Work (Cordite). She lives on unceded Wurundjeri country. More by Elena Gomez › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.
