Pam Brown’s poetry has been described as both conversational and deeply layered, its historical consciousness seemingly belied by a fragmentary, diaristic style. An easy comparison might be drawn with the work of her long-time friend Ken Bolton, which often achieves a sense of over-arching unity of vision expressed in monologue form. Bolton’s work can appear exhaustive — long prose-like stanzas — where Brown’s seems to flicker down the page like dawn through the mangroves on the drive to Cronulla.

The connection between the Jarrah Forest, the submarine base, and the data centres is not metaphorical. It is the three pillars of AUKUS, made material in a single city. Pillar III strips the forest to supply aluminium and gallium to the other two pillars, gutting environmental and water security.