Published in Overland Issue 227 Winter 2017 · Uncategorized Spotless Luke Beesley To try and write say like Mallarmé ah malted tie anodyne or write it. I had a notice envelope inside and I went into the kit. The bag had an antidote to my own, or own poem, which was pronounced ownp. Ownp up an unlatch in tea, int an assertion. I went up to it. Parked. The quarter poked out. I played embarrassed Joel Barish in that garish genre Montauk cop character and gaudy. Twofold chalked up Twombly touched a back step on Sol LeWitt photography. Secretly new noticed. Entities. At a quarter past three I went. Ahem. A religious repetition. 4/10 of an anecdote intended, the rest a consequence interred troubled dream. Folding chair quantity. Endangered try. (We do dupe.) In the third person wore a coat in weather. Aunt. We go into the ligament of a family brush. Her out couch cushion! Image: Quarter drop / Andrew Malone Read the rest of Overland 227 If you enjoyed this poem, buy the issue Or subscribe and receive four outstanding issues for a year Luke Beesley Luke Beesley is a Melbourne-based poet. His fourth poetry collection, Jam Sticky Vision, was published by Giramondo in 2015. More by Luke Beesley › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 26 July 202426 July 2024 · Poetry Song of despair πO A new poem by πO 24 July 202424 July 2024 · pop culture Swamp monster of the rock’n’roll de/generation Rock Chugg In the 1980s, a horrible time was had by all. Yet the assorted Australian talent for making the best of a bad thing, gave us the most important and characteristic popular music genre, locals have (n)ever known.