Published in Overland Issue 227 Winter 2017 · Uncategorized Collarbone Louise Swinn We’ll be living on top of each other in an outer suburb. It’ll be an evening backyard barbecue turned lounge party, old friends changing discs in the house we’ll never own. You won’t be in bed – staying up later than us now, as you do. When someone puts on ‘Yoshimi’, you’ll roll your eyes at the middle-aged Gen-X’ers dancing. Mum and I ’ll gravitate towards each other and you ’ll try not to watch us larking about, no longer two solid organisms. Later, with Mum’s head resting in that crook of my collarbone I didn’t know existed till she came along, and then you, I’ll wonder what percentage of everything I owe to the Flaming Lips. Image: Record / Andy Baxley Read the rest of Overland 227 If you enjoyed this poem, buy the issue Or subscribe and receive four outstanding issues for a year Louise Swinn Louise Swinn is a writer, editor, publisher and reviewer. Her work appears regularly in the Age, the Australian, and the Sydney Morning Herald. Louise was one of the founders of Sleepers Publishing, the Small Press Network, and the Stella Prize. More by Louise Swinn › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.