Published in Overland Issue 227 Winter 2017 · Uncategorized Faulkner Cassandra Atherton My mother is a fish. I have buried her three times already, but the water table is high and she floats to the surface. I cleaned her, using scissors to cut anteriorly through the bones attached to her pelvic fins, but I can’t cross the river while her cloudy eyes are directed at the sky. The tackle box is full of the rusty hooks of untried catches. I take a pitted sinker and use the fishing line to weigh down her fleshy isthmus. There is water in my shoes but I can feel the stones rise beneath my feet. Image: Fly fishing tackle box next to stream / Chesapeake Bay Program Read the rest of Overland 227 If you enjoyed this poem, buy the issue Or subscribe and receive four outstanding issues for a year Cassandra Atherton Cassandra Atherton is an award-winning poet and the poetry editor for Westerly. She has been a Harvard Visiting Scholar, and a Visiting Fellow at Sophia University, Tokyo. Cassandra has published eight books, most recently the three-volume Sketch Notes. She has a Creative Victoria grant to write a prose poetry graphic novel on the dropping of the atomic bomb on Hiroshima. More by Cassandra Atherton › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 5 February 20255 February 2025 · Art A poetic argument for restitution: Isaac Julien at the MCA Sarah Schmidt Once Again... (Statues Never Die) invites viewers to engage deeply, rewarding those willing to invest time contemplating its layered narratives. Transformative in its complexity, seductive in its visual literacy, it offers a space for empathy, education, and debate, emphasising how museums can serve as platforms for confronting contested histories and inspiring social change. 4 February 20254 February 2025 · Indigenous Australia Teaching Palestine on stolen Indigenous lands Charlotte Mertens Refusal is not only possible, it generates different worlds. Refusal insists on the possibility of alternative anti-colonial futures and ways of being. Refusing the University’s erasure of Palestine involves a collective effort in thinking on how we will teach Palestine, the ongoing settler colonial violence and what this means for a place like Australia.
