Published in Overland Issue 227 Winter 2017 · Uncategorized First home bile Allison Gallagher i am providing islands for a local land baron kept warm at night by investment properties dreaming of electric deeds the walls are not built to withstand harsh weather so i wrap myself in rental applications to prepare for the winter ahead accessorising with vestigial asbestoses herded into all these arbitrary divisions i watch your blood ache for something less ephemeral but oh, our bodies ground to dust by negative gears salaries having mostly sentimental value at this point i wonder what will become of the monoliths left towering over gentrified paradise these ultra-chic burial grounds now overpopulated by millennial skeletons crying silently into their superannuations Image: Homehome / Евгений макаров Read the rest of Overland 227 If you enjoyed this poem, buy the issue Or subscribe and receive four outstanding issues for a year Allison Gallagher Allison Gallagher is a writer from Sydney. Their debut chapbook is Parenthetical Bodies (Subbed In, 2017). Writing has appeared in Overland, Potluck, Scum Mag and Kill Your Darlings, among others. They also sing and play bass in the band Sports Bra. More by Allison Gallagher › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.