Published in Overland Issue 227 Winter 2017 · Uncategorized First home bile Allison Gallagher i am providing islands for a local land baron kept warm at night by investment properties dreaming of electric deeds the walls are not built to withstand harsh weather so i wrap myself in rental applications to prepare for the winter ahead accessorising with vestigial asbestoses herded into all these arbitrary divisions i watch your blood ache for something less ephemeral but oh, our bodies ground to dust by negative gears salaries having mostly sentimental value at this point i wonder what will become of the monoliths left towering over gentrified paradise these ultra-chic burial grounds now overpopulated by millennial skeletons crying silently into their superannuations Image: Homehome / Евгений макаров Read the rest of Overland 227 If you enjoyed this poem, buy the issue Or subscribe and receive four outstanding issues for a year Allison Gallagher Allison Gallagher is a writer from Sydney. Their debut chapbook is Parenthetical Bodies (Subbed In, 2017). Writing has appeared in Overland, Potluck, Scum Mag and Kill Your Darlings, among others. They also sing and play bass in the band Sports Bra. More by Allison Gallagher › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 5 February 20255 February 2025 · Art A poetic argument for restitution: Isaac Julien at the MCA Sarah Schmidt Once Again... (Statues Never Die) invites viewers to engage deeply, rewarding those willing to invest time contemplating its layered narratives. Transformative in its complexity, seductive in its visual literacy, it offers a space for empathy, education, and debate, emphasising how museums can serve as platforms for confronting contested histories and inspiring social change. 4 February 20254 February 2025 · Indigenous Australia Teaching Palestine on stolen Indigenous lands Charlotte Mertens Refusal is not only possible, it generates different worlds. Refusal insists on the possibility of alternative anti-colonial futures and ways of being. Refusing the University’s erasure of Palestine involves a collective effort in thinking on how we will teach Palestine, the ongoing settler colonial violence and what this means for a place like Australia.
