Published in Overland Issue 227 Winter 2017 · Uncategorized The Apology Day breakfast Ali Cobby Eckermann my mother did not grow up with her mother I did not grow up with mine my son did not grow up with me how does one define the jigsaw when the pieces are misshapen by the constant hands of others? the gift of life is maternity and the removal of this is a reparation that has no price the picture is askew in the portrait you offer and rejection is the new graffiti to rewrite the script you offer breakfast and forget I found my mother and rebirthed my son Together we are the Banquet Read the rest of Overland 227 If you enjoyed this poem, buy the issue Or subscribe and receive four outstanding issues for a year Ali Cobby Eckermann Ali Cobby Eckermann is a Yankunytjatjara poet and artist from South Australia whose work has been published and celebrated around the world. Her poetry collections include little bit long time and the award-winning collection Inside My Mother. Her verse novels are His Father’s Eyes and Ruby Moonlight, which won the inaugural black&write! Indigenous fellowship, the Kenneth Slessor Prize, a Deadly Award and was named the NSW Premier’s Literary Award Book of the Year. In 2013 Ali toured Ireland as Australia’s Poetry Ambassador, and in 2017 she received the Windham-Campbell Prize from Yale University.She describes herself as a dreamer, a gardener, with deep respect for her journey thus far. More by Ali Cobby Eckermann › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 5 February 20255 February 2025 · Art A poetic argument for restitution: Isaac Julien at the MCA Sarah Schmidt Once Again... (Statues Never Die) invites viewers to engage deeply, rewarding those willing to invest time contemplating its layered narratives. Transformative in its complexity, seductive in its visual literacy, it offers a space for empathy, education, and debate, emphasising how museums can serve as platforms for confronting contested histories and inspiring social change. 4 February 20254 February 2025 · Indigenous Australia Teaching Palestine on stolen Indigenous lands Charlotte Mertens Refusal is not only possible, it generates different worlds. Refusal insists on the possibility of alternative anti-colonial futures and ways of being. Refusing the University’s erasure of Palestine involves a collective effort in thinking on how we will teach Palestine, the ongoing settler colonial violence and what this means for a place like Australia.
