Published in Overland Issue 226 Autumn 2017 · Uncategorized A lunar binge Omar Sakr I am not hungry, and this feels wrong. It is Ramadan, the holy month of fasting which begins with the moon bent over, showing only curve. My tongue is grey with wanting, the way it used to be when I was a boy and went without taste. It’s hard to explain how much it excited my body. We’d wake at an illicit hour eyes red, breath blue, and troop to the kitchen for a pre-dawn meal of prayer crackling out the radio and cornflakes to crunch on, or buttery eggs to swallow. Run through the whole summer, the oppressive heat, playing cricket, childish acrobatics, falling into creeks, conquering trees, trying to eat all the fuck yous and cunts and cocks that normally erupted out our mouths. No swearing, no drop of moisture to pass the lips, no body to lust after, no hardness to master except this hunger, this need, this careful religious observation of succulence passing into other boys, their sisters, our friends. The sweating bottle kissing their teeth, their neck curving up, the light on their skin, cheeks drawn in & in. Sucking, my god, water. Watching the moon fatten at night, as if feasting on us. It is Ramadan, the holy month of fasting, and I feel right. It begins with bending over a man until he’s only curve, and loving his everything. My tongue is grey with wanting, the way it’s always been. It’s hard to explain how my body excites to touch. We wake at a witching hour, flushed with the warmth of shared breath, and saunter into tomorrow, wet with fullness. Nowhere to run, we linger in now, in cunts and cocks painting our mouths, the heat of opening, a surrendering yes five times a day in a darkened room guessing the direction toward satisfaction. I am tired of being careful, I am over observation, I want to master your hardness and mine. Your pliant flesh, our friend, their sister. Kissing the sweating bottle curving up, light on skins, cheeks drawn in & in. Sucking, my god, us. The moon wanes, as I fatten beneath it, an undone famine, a feast not to be wasted. Read the rest of Overland 226 If you enjoyed this poem, buy the issue Or subscribe and receive four outstanding issues for a year Omar Sakr Omar Sakr is the author of two acclaimed poetry collections, These Wild Houses (Cordite, 2017) and The Lost Arabs (UQP, 2019) which won the 2020 Prime Minister’s Literary Award for Poetry. His debut novel, Son of Sin (2022) is out now. More by Omar Sakr › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.