Published in Overland Issue 225 Summer 2016 · Uncategorized Issue 225 admin REGULARS Editorial Natalie Harkin giovanni tiso mel campbell alison croggon Contributors FEATURES jason wilson the new patriotism Trumpism beyond Trump vashti kenway no pasarán! Fighting Australia’s Far Right Claire Parfitt & Kirsty McCully the state of the working class Debt and precarity Jeanine Leane other peoples’ stories When is writing cultural appropriation? katie dobbs radical passivity Patty Hearst to Ottessa Moshfegh helen heath using/abusing fembots The ethics of sex with robots tom clark form versus content Misogyny versus Blue Ties liam byrne the antis On the conscription plebiscite fiction tony birch liam Alex philp agistment fiction prize Cameron Weston Sweeping First place, Story Wine Prize POETRY charlotte guest egg tempera networking drinks claire nashar story Marty Hiatt on the origin of Poetry a sapphic collaboration On the Occasion of Gig Ryan’s Sixtieth Birthday artwork sam wallman Guest artist issue 225: cover, illustrations pages 17, 25, 46–47 brent stegeman All other artwork FAir australia Winners of the 2016 NUW Fair Australia Prize admin More by admin › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 18 April 202418 April 2024 · Education A Jellyfish government in NSW: public education’s privatisation-by-neglect Dan Hogan A private school that receives public money is not a private school: it is a fee-paying public school. The overfunding of private schools using public money is a symptom of a public service that has been rotted for a quarter of century by a political class with no vision beyond producing dubious, misleading statistics to deploy at the next election. 17 April 202417 April 2024 · Culture From the edge of the circle pit: growing up punk and girl in Indonesia Dina Indrasafitri Circa 1999, I sat on the floor in a poorly lit house on the outskirts of Jakarta, still in my grey-and-white high-school uniform. The members of the protest punk band Anti-Military were plotting their first album recording in the next room. Scattered around me were political pamphlets, zines and books touching on the subjects of anarchism, anti-work and anti-racism.