Published in Overland Issue 224 Spring 2016 · Uncategorized Impulse Zoe Barnard I wanted to know, in a pause between sentences, whether the fine, transparent step between nail and skin was designed to be removed. Smoothly, the cuticle tears away, like a loose thread and blood wells after a moment, flesh overcoming the shock of being asked to undress. I wanted to know, walking home from the station, if the joints would so easily bruise and swell when my knuckles pressed against another’s body. If muscle and bone resemble walls and fences, then the pain flares and yellow meets purple in an expanding: yes. I wanted to know, when I could first drive on my own, how it would feel to journey into a power pole or through the railing along the coast. At the empty intersection, in the middle of summer, when the road is melting and sea salt cracks in the air I tell that voice, not yet. Zoe Barnard Zoë Barnard is a freelance editor and writer, who lives and works in Perth. More by Zoe Barnard › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.