Published in Overland Issue 224 Spring 2016 · Uncategorized Gods of my youth Caitlin Maling At night we leave the colony to go to the ballet: Balanchine, mixed repertoire, Tchaikovsky. It’s American Girl Night and the girls in pigtails and gingham carry dolls in pigtails and gingham, blondes with blondes, brunettes with brunettes. On stage the corps dances the garlands, such unison, such unison, while with poise and grace back in Perth my sister slowly bleeds out the last of what would’ve been a baby and at intermission I text her. On stage the man lifts the woman above his head the girls and the dolls gasp and sigh and I hear my country roar inside me. It’s important to have control. Caitlin Maling Caitlin Maling is a WA poet whose first collection, Conversations I’ve Never Had, was published in 2015. A follow-up collection is due in 2017. More by Caitlin Maling › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 27 November 202427 November 2024 · Cartoons So much to tell you: or, piercing plant tissue with needle-like mouth-parts Sofia Sabbagh Looking for things meant I could enjoy the feeling in my body. Something like hope, or friendship. 25 November 202425 November 2024 · Reviews Poetic sustenance: a close reading of Ellen van Neerven’s “Finger Limes” Liliana Mansergh As a poem attuned to form, embodiment, sensory experience and memory, van Neerven’s “Finger Limes” presents an intricate meditation on poetic sustenance and survival. Its riddling currents exemplify how poetry is not sustained along a linear axis but unfolds in eddies and counter currents.