Published in Overland Issue 223 Winter 2016 · Uncategorized elliptic ecliptic Leif Mahoney to John Tranter ‘I had read in books that art is not easy’ that words hide themselves in dark corners no-one warned of the colourful spires milking evaporated carnations the emeralds phone brightly in’s Brooke painted with Betty Windsor and Bert Newton a chiaroscuro pear glowing with charisma drifting through intelligent mist in search of speed turned red in the night do electric sheep dream of silver marigolds reflecting by quiet reflections ever so ever so ever. Read the rest of Overland 223 – If you liked this article, please subscribe or donate. Leif Mahoney Leif Mahoney is a former architect and art gallery director, who is an art language artist. His major project has been the abstract dada novel Nunawading. More by Leif Mahoney › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 15 April 202615 April 2026 · Climate politics The $67 billion climate betrayal: how Australia’s record fossil fuel subsidies fund global destruction Noa Wynn The contradictions aren't failures of implementation. They're the predictable result of a political system that has decided fossil fuel profits matter more than climate stability, more than the Great Barrier Reef, more than Pacific Islander lives, and more than the future habitability of the planet. 13 April 2026 · Disability The proletarianisation of disability support work: workers’ perspectives on the NDIS Nick Crowley Support workers, rather than creating objects, create a caring relationship. The scrupulous observance of organisational policies and ‘best practice’ codes is not sufficient to create such a relationship. This can only be created when workers take the time to understand their clients and build trusting, authentic, equal relationships with them.
