Published in Overland Issue 223 Winter 2016 · Uncategorized There is repetition Fiona Wright In the dream, there is repetition In the dream, I cannot make them understand In the dream, my fingertips itch, and they redden – In the dream, there is the dream of colour. In the dream, I trap a pigeon in the ceiling In the dream they tell me don’t tell me your dreams In the dream the objects move when I’m not looking In the dream, I run a bath that overfills and in the dream, it leaves a tidemark like a sock around my ankle. In the dream, I watch them watch me In the dream, I speak of solitude In the dream I do not dare hold out my hands. In the dream, I am amphibious, I see my breath fog up the window. In the dream I know I dream but cannot wake. In the dream, I hide my face within the bathroom mirror In the dream the bed sheets twist around my ankle In the dream I cannot make them understand. Read the rest of Overland 223 – If you liked this article, please subscribe or donate. Fiona Wright Fiona Wright’s new essay collection is The World Was Whole (Giramondo, 2018). Her first book of essays Small Acts of Disappearance won the 2016 Kibble Award and the Queensland Literary Award for nonfiction, and her poetry collections are Knuckled and Domestic Interior. More by Fiona Wright › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying. 18 December 202418 December 2024 · Nakata Brophy Prize Dawning in the rivulet of my father’s mourning Yasmin Smith My father floats words down Toonooba each morning. They arrive to me by noon. / Nothing diminishes in his unfolding, not even the currents in midwinter June. / He narrates the sky prehistorically like a cadence cutting him into deluge.