Published in Overland Issue 220 Spring 2015 · Uncategorized A sky open and shut Sam Langer One day later on a later day in the year of some animal apposition on the globe and on the roof that is not just us, but still warm tin, but sunlight only on Rucker’s Hill, seen by rolling onto our left sides, optimistic and depressed somehow cognate on my birthday strangers grown up in neighbourhoods, comparable sociologically the veggies muting staggered in shadow growths and the smell of that flower that opens all night, those nights that call us out, into the clement, changing open to walk, change touching in our pockets or to sit in displayed enjoyment, euphemistic of each other though obviously not of any beyond say the river east where sky wipes towards free night and the upfield line west the sky over the parkville youth centre Sam Langer Sam Langer was born in Melbourne but lives in Berlin. He edits Steamer and has published two chapbooks: Law You Can Eat (Munted Beyond Press) and Topaz (Bulky News Press). More by Sam Langer › Overland is a not-for-profit magazine with a proud history of supporting writers, and publishing ideas and voices often excluded from other places. If you like this piece, or support Overland’s work in general, please subscribe or donate. Related articles & Essays 20 December 202420 December 2024 · Reviews Slippery totalities: appendices on oil and politics in Australia and beyond Scott Robinson Kurmelovs writes at this level of confusion and contradiction for an audience whose unspoken but vaguely progressive politics he takes for granted and yet whose assumed knowledge resembles that of an outraged teenager. There should be a young adult genre of political journalism to accommodate books like this. 19 December 202419 December 2024 · Reviews Reading JH Prynne aloud: Poems 2016-2024 John Kinsella Poems 2016-2024 is a massive, vibrant and immersive collation of JH Prynne’s small press publication across this period. Some would call it a late life creative flourish, a glorious coda, but I don’t see it this way. Rather, this is an accumulation of concerns across a lifetime that have both relied on earlier form work and newly "discovered" expressions of genre that require recasting, resaying, and varying.